The Arrow of Gold: A Story Between Two NotesConrad, Joseph
General
The Arrow of Gold: A Story Between Two Notes
Conrad, Joseph
Adventure stories; Illegal arms transfers -- Fiction; Marseille (France) -- Fiction; Sea stories; Young men -- Fiction
“Are you afraid of the consul’s dog?” I asked jocularly. The consul’s
dog weighed about a pound and a half and was known to the whole town as
exhibited on the consular fore-arm in all places, at all hours, but
mainly at the hour of the fashionable promenade on the Prado.
But I felt my jest misplaced when Mills growled low in my ear: “They are
all Yankees there.”
I murmured a confused “Of course.”
Books are nothing. I discovered that I had never been aware before that
the Civil War in America was not printed matter but a fact only about ten
years old. Of course. He was a South Carolinian gentleman. I was a
little ashamed of my want of tact. Meantime, looking like the
conventional conception of a fashionable reveller, with his opera-hat
pushed off his forehead, Captain Blunt was having some slight difficulty
with his latch-key; for the house before which we had stopped was not one
of those many-storied houses that made up the greater part of the street.
It had only one row of windows above the ground floor. Dead walls
abutting on to it indicated that it had a garden. Its dark front
presented no marked architectural character, and in the flickering light
of a street lamp it looked a little as though it had gone down in the
world. The greater then was my surprise to enter a hall paved in black
and white marble and in its dimness appearing of palatial proportions.
Mr. Blunt did not turn up the small solitary gas-jet, but led the way
across the black and white pavement past the end of the staircase, past a
door of gleaming dark wood with a heavy bronze handle. It gave access to
his rooms he said; but he took us straight on to the studio at the end of
the passage.
It was rather a small place tacked on in the manner of a lean-to to the
garden side of the house. A large lamp was burning brightly there. The
floor was of mere flag-stones but the few rugs scattered about though
extremely worn were very costly. There was also there a beautiful sofa
upholstered in pink figured silk, an enormous divan with many cushions,
some splendid arm-chairs of various shapes (but all very shabby), a round
table, and in the midst of these fine things a small common iron stove.
Somebody must have been attending it lately, for the fire roared and the
warmth of the place was very grateful after the bone-searching cold
blasts of mistral outside.
Mills without a word flung himself on the divan and, propped on his arm,
gazed thoughtfully at a distant corner where in the shadow of a
monumental carved wardrobe an articulated dummy without head or hands but
with beautifully shaped limbs composed in a shrinking attitude, seemed to
be embarrassed by his stare.
As we sat enjoying the _bivouac_ hospitality (the dish was really
excellent and our host in a shabby grey jacket still looked the
accomplished man-about-town) my eyes kept on straying towards that
corner. Blunt noticed this and remarked that I seemed to be attracted by
the Empress.
Public-domain text, read in full here on John Shaqi.
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