The Arrow of Gold: A Story Between Two NotesConrad, Joseph
General
The Arrow of Gold: A Story Between Two Notes
Conrad, Joseph
Adventure stories; Illegal arms transfers -- Fiction; Marseille (France) -- Fiction; Sea stories; Young men -- Fiction
I was not in the humour to smile at anything, and he must have been
satisfied with the gravity with which I beheld his extraordinary antics.
My mind was very far away. I thought: Why not? Why shouldn’t I also
write a letter to Doña Rita, telling her that now nothing stood in the
way of my leaving Europe, because, really, the enterprise couldn’t be
begun again; that things that come to an end can never be begun again.
The idea—never again—had complete possession of my mind. I could think
of nothing else. Yes, I would write. The worthy Commissary General of
the Carlist forces was under the impression that I was looking at him;
but what I had in my eye was a jumble of butterfly women and winged
youths and the soft sheen of Argand lamps gleaming on an arrow of gold in
the hair of a head that seemed to evade my outstretched hand.
“Oh, yes,” I said, “I have nothing to do and even nothing to think of
just now, I will meet your man as he gets off the train at ten o’clock
to-night. What’s he like?”
“Oh, he has a black moustache and whiskers, and his chin is shaved,” said
the newly-fledged baron cordially. “A very honest fellow. I always
found him very useful. His name is José Ortega.”
He was perfectly self-possessed now, and walking soft-footed accompanied
me to the door of the room. He shook hands with a melancholy smile.
“This is a very frightful situation. My poor wife will be quite
distracted. She is such a patriot. Many thanks, Don George. You
relieve me greatly. The fellow is rather stupid and rather bad-tempered.
Queer creature, but very honest! Oh, very honest!”
CHAPTER IV
It was the last evening of Carnival. The same masks, the same yells, the
same mad rushes, the same bedlam of disguised humanity blowing about the
streets in the great gusts of mistral that seemed to make them dance like
dead leaves on an earth where all joy is watched by death.
Public-domain text, read in full here on John Shaqi.
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