The Arrow of Gold: A Story Between Two NotesConrad, Joseph
General
The Arrow of Gold: A Story Between Two Notes
Conrad, Joseph
Adventure stories; Illegal arms transfers -- Fiction; Marseille (France) -- Fiction; Sea stories; Young men -- Fiction
It was exactly twelve months since that other carnival evening when I had
felt a little weary and a little lonely but at peace with all mankind.
It must have been—to a day or two. But on this evening it wasn’t merely
loneliness that I felt. I felt bereaved with a sense of a complete and
universal loss in which there was perhaps more resentment than mourning;
as if the world had not been taken away from me by an august decree but
filched from my innocence by an underhand fate at the very moment when it
had disclosed to my passion its warm and generous beauty. This
consciousness of universal loss had this advantage that it induced
something resembling a state of philosophic indifference. I walked up to
the railway station caring as little for the cold blasts of wind as
though I had been going to the scaffold. The delay of the train did not
irritate me in the least. I had finally made up my mind to write a
letter to Doña Rita; and this “honest fellow” for whom I was waiting
would take it to her. He would have no difficulty in Tolosa in finding
Madame de Lastaola. The General Headquarters, which was also a Court,
would be buzzing with comments on her presence. Most likely that “honest
fellow” was already known to Doña Rita. For all I knew he might have
been her discovery just as I was. Probably I, too, was regarded as an
“honest fellow” enough; but stupid—since it was clear that my luck was
not inexhaustible. I hoped that while carrying my letter the man would
not let himself be caught by some Alphonsist guerilla who would, of
course, shoot him. But why should he? I, for instance, had escaped with
my life from a much more dangerous enterprise than merely passing through
the frontier line in charge of some trustworthy guide. I pictured the
fellow to myself trudging over the stony slopes and scrambling down wild
ravines with my letter to Doña Rita in his pocket. It would be such a
letter of farewell as no lover had ever written, no woman in the world
had ever read, since the beginning of love on earth. It would be worthy
of the woman. No experience, no memories, no dead traditions of passion
or language would inspire it. She herself would be its sole inspiration.
She would see her own image in it as in a mirror; and perhaps then she
would understand what it was I was saying farewell to on the very
threshold of my life. A breath of vanity passed through my brain. A
letter as moving as her mere existence was moving would be something
unique. I regretted I was not a poet.
Public-domain text, read in full here on John Shaqi.
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