The Arrow of Gold: A Story Between Two NotesConrad, Joseph
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The Arrow of Gold: A Story Between Two Notes
Conrad, Joseph
Adventure stories; Illegal arms transfers -- Fiction; Marseille (France) -- Fiction; Sea stories; Young men -- Fiction
This statement was astonishingly deliberate. He drew a moaning breath
after it and uttered in a heart-rending tone, “You know, Rita, that I
cannot live without you. I haven’t lived. I am not living now. This
isn’t life. Come, Rita, you can’t take a boy’s soul away and then let
him grow up and go about the world, poor devil, while you go amongst the
rich from one pair of arms to another, showing all your best tricks. But
I will forgive you if you only open the door,” he ended in an inflated
tone: “You remember how you swore time after time to be my wife. You are
more fit to be Satan’s wife but I don’t mind. You shall be my wife!”
A sound near the floor made me bend down hastily with a stern: “Don’t
laugh,” for in his grotesque, almost burlesque discourses there seemed to
me to be truth, passion, and horror enough to move a mountain.
Suddenly suspicion seized him out there. With perfectly farcical
unexpectedness he yelled shrilly: “Oh, you deceitful wretch! You won’t
escape me! I will have you. . . .”
And in a manner of speaking he vanished. Of course I couldn’t see him
but somehow that was the impression. I had hardly time to receive it
when crash! . . . he was already at the other door. I suppose he thought
that his prey was escaping him. His swiftness was amazing, almost
inconceivable, more like the effect of a trick or of a mechanism. The
thump on the door was awful as if he had not been able to stop himself in
time. The shock seemed enough to stun an elephant. It was really funny.
And after the crash there was a moment of silence as if he were
recovering himself. The next thing was a low grunt, and at once he
picked up the thread of his fixed idea.
“You will have to be my wife. I have no shame. You swore you would be
and so you will have to be.” Stifled low sounds made me bend down again
to the kneeling form, white in the flush of the dark red glow. “For
goodness’ sake don’t,” I whispered down. She was struggling with an
appalling fit of merriment, repeating to herself, “Yes, every day, for
two months. Sixty times at least, sixty times at least.” Her voice was
rising high. She was struggling against laughter, but when I tried to
put my hand over her lips I felt her face wet with tears. She turned it
this way and that, eluding my hand with repressed low, little moans. I
lost my caution and said, “Be quiet,” so sharply as to startle myself
(and her, too) into expectant stillness.
Ortega’s voice in the hall asked distinctly: “Eh? What’s this?” and then
he kept still on his side listening, but he must have thought that his
ears had deceived him. He was getting tired, too. He was keeping quiet
out there—resting. Presently he sighed deeply; then in a harsh
melancholy tone he started again.
Public-domain text, read in full here on John Shaqi.
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