The Arrow of Gold: A Story Between Two NotesConrad, Joseph
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The Arrow of Gold: A Story Between Two Notes
Conrad, Joseph
Adventure stories; Illegal arms transfers -- Fiction; Marseille (France) -- Fiction; Sea stories; Young men -- Fiction
“My love, my soul, my life, do speak to me. What am I that you should
take so much trouble to pretend that you aren’t there? Do speak to me,”
he repeated tremulously, following this mechanical appeal with a string
of extravagantly endearing names, some of them quite childish, which all
of a sudden stopped dead; and then after a pause there came a distinct,
unutterably weary: “What shall I do now?” as though he were speaking to
himself.
I shuddered to hear rising from the floor, by my side, a vibrating,
scornful: “Do! Why, slink off home looking over your shoulder as you
used to years ago when I had done with you—all but the laughter.”
“Rita,” I murmured, appalled. He must have been struck dumb for a
moment. Then, goodness only knows why, in his dismay or rage he was
moved to speak in French with a most ridiculous accent.
“So you have found your tongue at last—_Catin_! You were that from the
cradle. Don’t you remember how . . .”
Doña Rita sprang to her feet at my side with a loud cry, “No, George,
no,” which bewildered me completely. The suddenness, the loudness of it
made the ensuing silence on both sides of the door perfectly awful. It
seemed to me that if I didn’t resist with all my might something in me
would die on the instant. In the straight, falling folds of the
night-dress she looked cold like a block of marble; while I, too, was
turned into stone by the terrific clamour in the hall.
“Therese, Therese,” yelled Ortega. “She has got a man in there.” He ran
to the foot of the stairs and screamed again, “Therese, Therese! There
is a man with her. A man! Come down, you miserable, starved peasant,
come down and see.”
I don’t know where Therese was but I am sure that this voice reached her,
terrible, as if clamouring to heaven, and with a shrill over-note which
made me certain that if she was in bed the only thing she would think of
doing would be to put her head under the bed-clothes. With a final yell:
“Come down and see,” he flew back at the door of the room and started
shaking it violently.
It was a double door, very tall, and there must have been a lot of things
loose about its fittings, bolts, latches, and all those brass
applications with broken screws, because it rattled, it clattered, it
jingled; and produced also the sound as of thunder rolling in the big,
empty hall. It was deafening, distressing, and vaguely alarming as if it
could bring the house down. At the same time the futility of it had, it
cannot be denied, a comic effect. The very magnitude of the racket he
raised was funny. But he couldn’t keep up that violent exertion
continuously, and when he stopped to rest we could hear him shouting to
himself in vengeful tones. He saw it all! He had been decoyed there!
(Rattle, rattle, rattle.) He had been decoyed into that town, he
screamed, getting more and more excited by the noise he made himself, in
order to be exposed to this! (Rattle, rattle.) By this shameless
“_Catin_! _Catin_! _Catin_!”
Public-domain text, read in full here on John Shaqi.
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