The Arrow of Gold: A Story Between Two NotesConrad, Joseph
General
The Arrow of Gold: A Story Between Two Notes
Conrad, Joseph
Adventure stories; Illegal arms transfers -- Fiction; Marseille (France) -- Fiction; Sea stories; Young men -- Fiction
Of the proceedings in the walled garden there is no need to speak in
detail. They were conventionally correct, but an earnestness of purpose
which could be felt in the very air lifted the business above the common
run of affairs of honour. One bit of byplay unnoticed by the seconds,
very busy for the moment with their arrangements, must be mentioned.
Disregarding the severe rules of conduct in such cases Monsieur George
approached his adversary and addressed him directly.
“Captain Blunt,” he said, “the result of this meeting may go against me.
In that case you will recognize publicly that you were wrong. For you
are wrong and you know it. May I trust your honour?”
In answer to that appeal Captain Blunt, always correct, didn’t open his
lips but only made a little bow. For the rest he was perfectly ruthless.
If he was utterly incapable of being carried away by love there was
nothing equivocal about his jealousy. Such psychology is not very rare
and really from the point of view of the combat itself one cannot very
well blame him. What happened was this. Monsieur George fired on the
word and, whether luck or skill, managed to hit Captain Blunt in the
upper part of the arm which was holding the pistol. That gentleman’s arm
dropped powerless by his side. But he did not drop his weapon. There
was nothing equivocal about his determination. With the greatest
deliberation he reached with his left hand for his pistol and taking
careful aim shot Monsieur George through the left side of his breast.
One may imagine the consternation of the four seconds and the activity of
the two surgeons in the confined, drowsy heat of that walled garden. It
was within an easy drive of the town and as Monsieur George was being
conveyed there at a walking pace a little brougham coming from the
opposite direction pulled up at the side of the road. A thickly veiled
woman’s head looked out of the window, took in the state of affairs at a
glance, and called out in a firm voice: “Follow my carriage.” The
brougham turning round took the lead. Long before this convoy reached
the town another carriage containing four gentlemen (of whom one was
leaning back languidly with his arm in a sling) whisked past and vanished
ahead in a cloud of white, Provençal dust. And this is the last
appearance of Captain Blunt in Monsieur George’s narrative. Of course he
was only told of it later. At the time he was not in a condition to
notice things. Its interest in his surroundings remained of a hazy and
nightmarish kind for many days together. From time to time he had the
impression that he was in a room strangely familiar to him, that he had
unsatisfactory visions of Doña Rita, to whom he tried to speak as if
nothing had happened, but that she always put her hand on his mouth to
prevent him and then spoke to him herself in a very strange voice which
sometimes resembled the voice of Rose. The face, too, sometimes
resembled the face of Rose.
Public-domain text, read in full here on John Shaqi.
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