The Arrow of Gold: A Story Between Two NotesConrad, Joseph
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The Arrow of Gold: A Story Between Two Notes
Conrad, Joseph
Adventure stories; Illegal arms transfers -- Fiction; Marseille (France) -- Fiction; Sea stories; Young men -- Fiction
There were also one or two men’s faces which
he seemed to know well enough though he didn’t recall their names. He
could have done so with a slight effort, but it would have been too much
trouble. Then came a time when the hallucinations of Doña Rita and the
faithful Rose left him altogether. Next came a period, perhaps a year,
or perhaps an hour, during which he seemed to dream all through his past
life. He felt no apprehension, he didn’t try to speculate as to the
future. He felt that all possible conclusions were out of his power, and
therefore he was indifferent to everything. He was like that dream’s
disinterested spectator who doesn’t know what is going to happen next.
Suddenly for the first time in his life he had the soul-satisfying
consciousness of floating off into deep slumber.
When he woke up after an hour, or a day, or a month, there was dusk in
the room; but he recognized it perfectly. It was his apartment in Doña
Rita’s house; those were the familiar surroundings in which he had so
often told himself that he must either die or go mad. But now he felt
perfectly clear-headed and the full sensation of being alive came all
over him, languidly delicious. The greatest beauty of it was that there
was no need to move. This gave him a sort of moral satisfaction. Then
the first thought independent of personal sensations came into his head.
He wondered when Therese would come in and begin talking. He saw vaguely
a human figure in the room but that was a man. He was speaking in a
deadened voice which had yet a preternatural distinctness.
“This is the second case I have had in this house, and I am sure that
directly or indirectly it was connected with that woman. She will go on
like this leaving a track behind her and then some day there will be
really a corpse. This young fellow might have been it.”
“In this case, Doctor,” said another voice, “one can’t blame the woman
very much. I assure you she made a very determined fight.”
“What do you mean? That she didn’t want to. . . ”
“Yes. A very good fight. I heard all about it. It is easy to blame
her, but, as she asked me despairingly, could she go through life veiled
from head to foot or go out of it altogether into a convent? No, she
isn’t guilty. She is simply—what she is.”
“And what’s that?”
“Very much of a woman. Perhaps a little more at the mercy of
contradictory impulses than other women. But that’s not her fault. I
really think she has been very honest.”
The voices sank suddenly to a still lower murmur and presently the shape
of the man went out of the room. Monsieur George heard distinctly the
door open and shut. Then he spoke for the first time, discovering, with
a particular pleasure, that it was quite easy to speak. He was even
under the impression that he had shouted:
“Who is here?”
Public-domain text, read in full here on John Shaqi.
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