The Arrow of Gold: A Story Between Two Notes — John Shaqi
The Arrow of Gold: A Story Between Two NotesConrad, Joseph
General
The Arrow of Gold: A Story Between Two Notes
Conrad, Joseph
Adventure stories; Illegal arms transfers -- Fiction; Marseille (France) -- Fiction; Sea stories; Young men -- Fiction
Yes, that old sculptor was the first who joined them in the sight of all
Paris. It was that old glory that opened the series of companions of
those morning rides; a series which extended through three successive
Parisian spring-times and comprised a famous physiologist, a fellow who
seemed to hint that mankind could be made immortal or at least
everlastingly old; a fashionable philosopher and psychologist who used to
lecture to enormous audiences of women with his tongue in his cheek (but
never permitted himself anything of the kind when talking to Rita); that
surly dandy Cabanel (but he only once, from mere vanity), and everybody
else at all distinguished including also a celebrated person who turned
out later to be a swindler. But he was really a genius. . . All this
according to Mr. Blunt, who gave us all those details with a sort of
languid zest covering a secret irritation.
“Apart from that, you know,” went on Mr. Blunt, “all she knew of the
world of men and women (I mean till Allègre’s death) was what she had
seen of it from the saddle two hours every morning during four months of
the year or so. Absolutely all, with Allègre self-denyingly on her right
hand, with that impenetrable air of guardianship. Don’t touch! He
didn’t like his treasures to be touched unless he actually put some
unique object into your hands with a sort of triumphant murmur, ‘Look
close at that.’ Of course I only have heard all this. I am much too
small a person, you understand, to even . . .”
He flashed his white teeth at us most agreeably, but the upper part of
his face, the shadowed setting of his eyes, and the slight drawing in of
his eyebrows gave a fatal suggestion. I thought suddenly of the
definition he applied to himself: “_Américain_, _catholique et
gentil-homme_” completed by that startling “I live by my sword” uttered
in a light drawing-room tone tinged by a flavour of mockery lighter even
than air.
He insisted to us that the first and only time he had seen Allègre a
little close was that morning in the Bois with his mother. His Majesty
(whom God preserve), then not even an active Pretender, flanked the girl,
still a girl, on the other side, the usual companion for a month past or
so. Allègre had suddenly taken it into his head to paint his portrait.
A sort of intimacy had sprung up. Mrs. Blunt’s remark was that of the
two striking horsemen Allègre looked the more kingly.
“The son of a confounded millionaire soap-boiler,” commented Mr. Blunt
through his clenched teeth. “A man absolutely without parentage.
Without a single relation in the world. Just a freak.”
“That explains why he could leave all his fortune to her,” said Mills.
“The will, I believe,” said Mr. Blunt moodily, “was written on a half
sheet of paper, with his device of an Assyrian bull at the head. What
the devil did he mean by it? Anyway it was the last time that she
surveyed the world of men and women from the saddle. Less than three
months later. . .”
Public-domain text, read in full here on John Shaqi.
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