The Arrow of Gold: A Story Between Two NotesConrad, Joseph
General
The Arrow of Gold: A Story Between Two Notes
Conrad, Joseph
Adventure stories; Illegal arms transfers -- Fiction; Marseille (France) -- Fiction; Sea stories; Young men -- Fiction
At that moment we all changed our attitude slightly. Mills’ staring eyes
moved for a glance towards Blunt, I, who was occupying the divan, raised
myself on the cushions a little and Mr. Blunt, with half a turn, put his
elbow on the table.
“I asked her what it was. I don’t see,” went on Mr. Blunt, with a
perfectly horrible gentleness, “why I should have shown particular
consideration to the heiress of Mr. Allègre. I don’t mean to that
particular mood of hers. It was the mood of weariness. And so she told
me. It’s fear. I will say it once again: Fear. . . .”
He added after a pause, “There can be not the slightest doubt of her
courage. But she distinctly uttered the word fear.”
There was under the table the noise of Mills stretching his legs.
“A person of imagination,” he began, “a young, virgin intelligence,
steeped for nearly five years in the talk of Allègre’s studio, where
every hard truth had been cracked and every belief had been worried into
shreds. They were like a lot of intellectual dogs, you know . . .”
“Yes, yes, of course,” Blunt interrupted hastily, “the intellectual
personality altogether adrift, a soul without a home . . . but I, who am
neither very fine nor very deep, I am convinced that the fear is
material.”
“Because she confessed to it being that?” insinuated Mills.
“No, because she didn’t,” contradicted Blunt, with an angry frown and in
an extremely suave voice. “In fact, she bit her tongue. And considering
what good friends we are (under fire together and all that) I conclude
that there is nothing there to boast of. Neither is my friendship, as a
matter of fact.”
Mills’ face was the very perfection of indifference. But I who was
looking at him, in my innocence, to discover what it all might mean, I
had a notion that it was perhaps a shade too perfect.
“My leave is a farce,” Captain Blunt burst out, with a most unexpected
exasperation. “As an officer of Don Carlos, I have no more standing than
a bandit. I ought to have been interned in those filthy old barracks in
Avignon a long time ago. . . Why am I not? Because Doña Rita exists and
for no other reason on earth. Of course it’s known that I am about. She
has only to whisper over the wires to the Minister of the Interior, ‘Put
that bird in a cage for me,’ and the thing would be done without any more
formalities than that. . . Sad world this,” he commented in a changed
tone. “Nowadays a gentleman who lives by his sword is exposed to that
sort of thing.”
It was then for the first time I heard Mr. Mills laugh. It was a deep,
pleasant, kindly note, not very loud and altogether free from that
quality of derision that spoils so many laughs and gives away the secret
hardness of hearts. But neither was it a very joyous laugh.
Public-domain text, read in full here on John Shaqi.
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