Hammersmith (London, England) -- Imprints; Kelmscott Press; Printing -- Great Britain -- History
All the wood blocks for initials, ornaments, and illustrations, were
engraved by W. H. Hooper, C. E. Keates, and W. Spielmeyer, except the
twenty-three blocks for The Glittering Plain, which were engraved by A.
Leverett, and a few of the earliest initials, engraved by G. F.
Campfield. The whole of these wood blocks have been sent to the British
Museum, and have been accepted with a condition that they shall not be
reproduced or printed from for the space of a hundred years. The
electrotypes have been destroyed. In taking this course, which was
sanctioned by William Morris when the matter was talked of shortly
before his death, the aim of the trustees has been to keep the series of
Kelmscott Press books as a thing apart, and to prevent the designs
becoming stale by constant repetition. Many of them have been stolen and
parodied in America, but in this country they are fortunately copyright.
The type remains in the hands of the trustees, and will be used for the
printing of its designer's works, should special editions be called for.
Other books of which he would have approved may also be printed with it;
the absence of initials and ornament will always distinguish them
sufficiently from the books printed at the Kelmscott Press.
The nature of the English hand-made paper used at the Press has been
described by William Morris in the foregoing article. It was at first
supplied in sheets of which the dimensions were sixteen inches by
eleven. Each sheet had as a watermark a conventional primrose between
the initials W. M. As stated above, The Golden Legend was to have been
the first book put in hand, but as only two pages could have been
printed at a time, and this would have made it very costly, paper of
double the size was ordered for this work, and The Story of the
Glittering Plain was begun instead. This book is a small quarto, as are
its five immediate successors, each sheet being folded twice. The last
ream of the smaller size of paper was used on The Order of Chivalry. All
the other volumes of that series are printed in octavo, on paper of the
double size. For the Chaucer a stouter and slightly larger paper was
needed. This has for its watermark a Perch with a spray in its mouth.
Many of the large quarto books were printed on this paper, of which the
first two reams were delivered in February, 1893. Only one other size of
paper was used at the Kelmscott Press. The watermark of this is an
Apple, with the initials W. M., as in the other two watermarks. The
books printed on this paper are The Earthly Paradise, The Floure and the
Leafe, The Shepheardes Calender, and Sigurd the Volsung. The last-named
is a folio, and the open book shows the size of the sheet, which is
about eighteen inches by thirteen. The first supply of this Apple paper
was delivered on March 15, 1895.
Public-domain text, read in full here on John Shaqi.
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