Hammersmith (London, England) -- Imprints; Kelmscott Press; Printing -- Great Britain -- History
The colophon of this final volume of The Earthly Paradise contains the
following note: 'The borders in this edition of The Earthly Paradise
were designed by William Morris, except those on page 4 of volumes ii.,
iii., and iv., afterwards repeated, which were designed to match the
opposite borders, under William Morris's direction, by R.
Catterson-Smith; who also finished the initial words 'Whilom' and
'Empty' for The Water of the Wondrous Isles. All the other letters,
borders, title-pages and ornaments used at the Kelmscott Press, except
the Greek type in Atalanta in Calydon, were designed by William Morris.'
46. TWO TRIAL PAGES OF THE PROJECTED EDITION OF LORD BERNERS'
TRANSLATION OF FROISSART'S CHRONICLES. Folio. Chaucer type, with heading
in Troy type. In black and red. Border 32, containing the shields of
France, the Empire, and England and a half-border containing those of
Reginald Lord Cobham, Sir John Chandos, and Sir Walter Manny. 160 on
vellum at a guinea, none on paper. Dated September, issued October 7,
1897. Published at the Kelmscott Press. Not bound.
It was the intention of Mr. Morris to make this edition of what was
since his college days almost his favourite book, a worthy companion to
the Chaucer. It was to have been in two volumes folio, with new cusped
initials and heraldic ornament throughout. Each volume was to have had a
large frontispiece designed by Sir E. Burne-Jones; the subject of the
first was to have been St. George, that of the second, Fame. A trial
page was set up in the Troy type soon after it came from the foundry, in
Jan., 1892. Early in 1893 trial pages were set up in the Chaucer type,
and in the list for March 9 of that year the book is erroneously stated
to be in the press. In the three following lists it is announced as in
preparation. In the list dated Dec. 1, 1893, and in the three next
lists, it is again announced as in the press, and the number to be
printed is given as 150. Meanwhile the printing of the Chaucer had been
begun, and as it was not feasible to carry on two folios at the same
time, the Froissart again comes under the heading 'in preparation' in
the lists from Dec. 1, 1894, to June 1, 1896. In the prospectus of the
Shepheardes Calender, dated Nov. 12, 1896, it is announced as abandoned.
At that time about thirty-four pages were in type, but no sheet had been
printed. Before the type was broken up, on Dec. 24, 1896, 32 copies of
sixteen of these pages were printed and given as a memento to personal
friends of the poet and printer whose death now made the completion of
the book impossible. This suggested the idea of printing two pages for
wider distribution. The half-border had been engraved in April, 1894, by
W. Spielmeyer, but the large border only existed as a drawing. It was
engraved with great skill and spirit by C. E. Keates, and the two pages
were printed by Stephen Mowlem, with the help of an apprentice, in a
manner worthy of the designs.
Public-domain text, read in full here on John Shaqi.
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