The Art and Practice of HawkingMichell, E. B. (Edward Blair)
History
The Art and Practice of Hawking
Michell, E. B. (Edward Blair)
Falconry
In young birds of both sexes the upper plumage is a more or less dark
brown, inclining in some individuals to chocolate colour, and in others
to black, each feather of the back, wing, and tail coverts tipped
with a lighter and more rufous brown. The chin, neck, breast, thighs,
and whole under plumage is more or less dull creamy white, streaked
plentifully with longitudinal blotches of dark brown, which are thin
and small at the neck, but become broader and bigger as they approach
the lower part of the breast, dying away again towards the vent. The
tail is greyish brown on the upper surface, tipped with more or less
rufous white, and barred with five or six rather irregular and rather
faint bands of darker brown. The under part of the tail is very faint
brownish grey, barred with a somewhat darker hue of the same colour.
The sides of the head and neck are dull creamy white, streaked with
very small dashes and markings of dark brown. On the under side of the
eyebrow, passing round the eyelids, is a patch or streak of very dark
brown, and a broad streak of the same colour or of black reaches like
a moustache from near the back of the upper mandible backwards for an
inch.
The legs, feet, cere, and eyelids vary from light blue-grey to greenish
yellow and pale ochre; beak, light bluish grey, darkening to black at
the tip; claws--called always by falconers "talons"--black, as in other
hawks of all kinds. In the first moult the brown of the whole upper
plumage is replaced by a slatey blue, each feather from the shoulders
to the end of the tail barred transversely and tipped more or less
distinctly with a lighter shade of blue-grey. The slate colour on the
crown and side of the head, including the moustache, is of a dark hue.
The under plumage, instead of being streaked longitudinally with brown,
becomes at the first moult spotted and splashed with markings of dark
grey, which are partly transverse and partly shaped like an arrow-head
or tear-drop, especially on the throat and gorge. At each successive
moult these spots and markings become more transverse and bar-like, and
also narrower and more sparse on the parts nearest the chin, until in
very old birds they disappear on the chin and throat, leaving a blank
surface of pure creamy white. Even before the first moult the feet and
legs begin to assume a yellow colour; and by the time the first moult
is over, they and the cere and eyelids have changed to a more or less
decided yellow, which as the bird grows old develops into a rich gold.
Public-domain text, read in full here on John Shaqi.
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