The Art and Practice of HawkingMichell, E. B. (Edward Blair)
History
The Art and Practice of Hawking
Michell, E. B. (Edward Blair)
Falconry
In spring or early summer the young peregrine naturally begins to
moult; and as soon as this tedious operation is concluded she becomes,
if wild, a "haggard," and if tame, an "intermewed" hawk. In any case
she is described as "blue," and not "red." There is some doubt as
to the meaning of the term haggard, many authorities, including the
lexicographers, deriving it from the Saxon _hag_, meaning hedge. A
more rational explanation seems to be that which traces it to the
Hebrew word _agar_ or _hagar_, meaning wild, as it is used in the Old
Testament. Wildness, indeed, is always regarded by Shakespeare and
other writers as the characteristic of the adult wild hawk, and not any
liking for hedges, to which no peregrine is very partial.
The language, or jargon, of falconry appropriated to the falcon, and,
by analogy, to other hawks, especially of the long-winged species,
special terms for various parts of her body and various movements and
conditions; much in the same way as several of the Oriental languages
describe the actions of royalty by special names. Thus her wings are
sails: the long feathers of them are flight feathers; and of these the
outer are principals; and next to them are the flags. Her tail is her
train; and the two central feathers of it are deck feathers. Her lower
leg is an arm, and her foot a hand, with petty singles instead of toes,
and talons instead of vulgar claws. Her nostrils are nares; her breast
feathers are mails; her lower intestine is her pannel; and her crop her
gorge.
Public-domain text, read in full here on John Shaqi.
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