the art and the romance of indian basketry clark field clark field collection philbrook art center • tulsa • 1964 _Published by Philbrook Art Center Tulsa, Oklahoma 1964_ FOREWORD The autobiographical information about Mr. Clark Field, which appears at the end of this brochure, briefly tells the inspiring story of well over four decades of dedication to—and sincere belief in—the American Indian as a creative artist. The results of these many years of collecting Indian baskets (and pottery) are on permanent display at Philbrook Art Center, in the Clark Field Collection; in addition, many other specimens are in storage and available to the scholar in the study collection. This brochure is not intended as a catalogue of all of the baskets in the Clark Field Collection, which includes more than a thousand specimens. Rather, it serves as an introduction to Indian basketry and tells the story of how baskets were made and used. About 90 of the more important baskets are illustrated, including the most famous American Indian basket, woven by Dotsolalee reproduced in color on the cover. Mr. Field has combined his enthusiasm for the art of Indian basketry with a high degree of scientific scholarship. He has kept careful records, which will become increasingly valuable as old specimens become even more rare and this Indian skill gradually dies out in this modern world. His daughter, Dorothy Field Maxwell, has assisted Mr. and Mrs. Field in their collection and with the preparation of this brochure. Mrs. Jeanne Snodgrass, Curator of Indian Art at Philbrook, has also assisted with the brochure in an editorial capacity. Mr. Field has performed an invaluable service to humanity in his long dedication to the preservation of this most important facet of the original Americans, and Philbrook Art Center will be, for countless generations, a mecca for those who wish to enjoy this fascinating utilitarian, yet esthetically meaningful art form. Donald G. Humphrey Director Philbrook Art Center _Clark Field_ BASKETRY