The Art and the Romance of Indian Basketry: Clark Field Collection, Philbrook Art Center, Tulsa, 1964Field, Clark
History
The Art and the Romance of Indian Basketry: Clark Field Collection, Philbrook Art Center, Tulsa, 1964
Field, Clark
Indian baskets -- North America
This basket and the basket from Maine are rare examples of the old
Indian art of moose hair embroidery. A cluster of very fine hair grows
from the withers of the wild moose and this hair, dyed in suitable
colors, is used for the embroidery.
The art of this type embroidery probably dates back to about 1714, at
which time the natives used this method of decoration for their own
buckskin clothing. It is believed that these people were taught the art
at convents after the steel needle was introduced into this country from
Europe in the eighteenth century. However, there is no proof of this
theory.
It is interesting to note other unique examples of decorative art by
these people; i.e., the drilling of seed pearls the size of the head of
a straight pin and in turn, sewing these pearls on cloth or fiber. With
crude tools, they created rare and beautiful works of decorative art
which would be difficult for us to duplicate with today’s precision
tooling.
After adopting Anglo-style clothing these Indians practiced moose hair
embroidery art on trinkets such as these until it became almost extinct
by 1890. Specimens such as these are rare even in museums.
(See Plate 8d)
_Passamaquoddy—Malecite_
Maine
This is a birch bark box covered with red cloth and decorated with moose
hair embroidery.
(See Plate 8d)
WHALEBONE (Baleen)
_Eskimo_—Point Barrow, Alaska
Case No. 3:
The Baleen used in the weaving of this basket is found in the upper jaw
of the Bowhead, or Alaskan Right Whale. This horny substance is pulled
into various sized strips. While it is still fresh it is flexible and
can be woven as easily as fiber. The same weaving technique used in
making coiled baskets from grass roots is also used in the construction
of this basket.
An Alaskan trader is credited with having taught the _Eskimos_ to use
Baleen as a weaving medium. The art was almost extinct until a few years
ago when the U. S. Indian Arts and Crafts Board gave needed
encouragement to the craftsmen.
The Bowhead, or Right Whale, is not plentiful at Point Barrow; only two
or three such whales are caught during a good year. Some years none are
caught.
Two factors are predominate in making this type of basketry scarce: 1)
lack of Baleen, 2) the fifty hours necessary for a skillful craftsman to
construct the specimen.
The decorative ivory figure on the lid of the basket is made of walrus
tusk.
(See Plate 1b)
ALEUT ISLAND BASKETRY
c. 1860 and c. 1939-1944
_Attu_—Attu Island, Alaska
Case No. 6:
The baskets shown in display case no. 6, are the finest weave known to
have been made in North America.
Public-domain text, read in full here on John Shaqi.
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