The Art and the Romance of Indian Basketry: Clark Field Collection, Philbrook Art Center, Tulsa, 1964 — John Shaqi
The Art and the Romance of Indian Basketry: Clark Field Collection, Philbrook Art Center, Tulsa, 1964Field, Clark
History
The Art and the Romance of Indian Basketry: Clark Field Collection, Philbrook Art Center, Tulsa, 1964
Field, Clark
Indian baskets -- North America
[Illustration: 18d
MORTUARY
_Pomo_
California
Size: 5″ × 9½″]
Plate No. 19
[Illustration: 19a
CEREMONIAL (Wedding)
_Hopi_
Arizona
Size: 2½″ × 15″]
[Illustration: 19b
CEREMONIAL (Wedding)
_Navajo_
Arizona
Size: 4″ × 13″]
[Illustration: 19c
CEREMONIAL (Medicine Tray)
_Paiute_
Arizona
Size: 3″ × 14½″]
[Illustration: 19d
RINSING (Clothes)
_Niantic_
Connecticut
Size: 6″ × 11″ × 11″]
Plate No. 20
[Illustration: SOYAL INITIATION CEREMONY
(Prayer Offering Ceremony)
_Hopi_
Arizona]
Plate No. 21
[Illustration: BLOW GUN, QUIVER and DART
_Cherokee_
North Carolina]
ROOT RUNNER BASKETRY
_Reprint from Philbrook Brochure, 1952
by Clark Field_
INTRODUCTION
The purpose that a foreword serves to the reading public is ostensibly
to express its writer’s endorsement of the material presented and of the
mode of treatment. In this instance the purpose is heartily avowed. The
monograph in hand forms a contribution to the series of studies being
pursued widely among scholars whose aim is to piece together portions of
the picture of culture of the Indians of the Southeast. Our knowledge of
the culture properties of native tribes in any area where their
development has been going on for centuries in their original seats
comes necessarily by gradual steps. These may seem disconnected in the
minds of laymen who are in haste to see the whole story completed.
Perhaps only the pioneer investigator knows how long and intimately a
people must be studied by dwelling in their midst before their ways of
life become clear enough to be understood and discussed. Collections of
data, historical, descriptive and functional, have to be made and
preserved in the form of notes and actual specimens. When these ends are
accomplished, the picture of tribal life takes definite shape, and
another gap in the history of a people is closed. These are the
requirements for carrying on in a somewhat new undertaking in the line
of history, namely ethno-history.
Studies of a people’s physical structure, their psychology, language,
religion and government contribute their share. On the material side
their crafts developed to supply economic needs and the art involved in
the crafts themselves must be illustrated with accumulations of
specimens. These requirements the author of the following study has had
well in mind for a considerable space of time, and he has treated them
with conservative judgment and a regard for their implications with
botany and ecology. Such remarks applied to the paper constitute the
ethnologist’s endorsement.
Public-domain text, read in full here on John Shaqi.
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