“The habit and dressing for the fashion was most curious, and so
exceeding in riches, as the throne whereon they lay seemed to be a
mine of light, struck from their jewels and their garments.
“This throne, as the whole island moved forward on the water,
had a circular motion of its own, imitating that which we call
_motum mundi_, from the east to the west, or the right to the left
side.... The steps whereon the Cupids sat had a motion contrary,
with analogy _ad motum planetarum_, from the west to the east;
both which turned with their several lights. And with these three
varied motions, at once, the whole scene shot itself to the land.”
After a chorus with echoing refrain, “Vulturnus the wind spake to the
river Thamesis, that lay along between the shores, leaning upon his
urn, that flowed with water, and crowned with flowers; with a blue
cloth of silver robe about him; and was personated by Master Thomas
Giles, who made the dances.
“_Vul._ Rise, Aged Thames, and by the hand
Receive the nymphs, within the land,
And in those curious squares and rounds
Wherewith thou flow’st betwixt the grounds
Of fruitful Kent and Essex fair
That lends the garlands for thy hair;
Instruct their silver feet to tread,
Whilst we, again, to sea are fled.
“With which the Winds departed; and the river received them into
the land, by couples and fours, their Cupids coming before them.
“These dancing forth a most curious dance, full of excellent device
and change, ended it in the figure of a diamond, and so, standing
still, were by the musicians with a second SONG, sung by a loud
tenor, celebrated.
“So Beauty on the waters stood,
When Love had severed earth from flood!
So when he parted air from fire,
He did with concord all inspire!
And then a motion he them taught,
The elder than himself was thought.
Which thought was, yet, the child of earth,
For Love is elder than his birth.
“_The song ended; they danced forth their second dance, more subtle
and full of change than the former; and so exquisitely performed,
as the king’s majesty (incited first by his own liking to that
which all others there present wished) required them both again
after some time of dancing with the lords. Which time, to give them
respite, was intermitted with a song._
“This song was followed by others.
“_After which songs they danced galliards and corantos; and with
those excellent graces, that the music appointed to celebrate them,
showed it could be silent no longer; but, by the first tenor,
admired them thus_:
“SONG.
Public-domain text, read in full here on John Shaqi.
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