The Art of Being Happy: In a Series of Letters from a Father to His Children: with Observations and CommentsDroz, Joseph
Philosophy
The Art of Being Happy: In a Series of Letters from a Father to His Children: with Observations and Comments
Droz, Joseph
Happiness
I am compelled to believe, that very few marriages take place in
consequence of such an intimate acquaintance of the parties with
each other’s unsophisticated and interior character, as to justify
the chances of affection and domestic happiness. The first adverse
circumstance is, that both are constantly on such a trial to make
a show of wit, good temper, and manners, as to render the whole
scene, from commencement to close, a drama, in which all is acting;
in which there is no admission to the real life behind the scenes,
until after marriage. How often does the actor or actress, who
successfully personated a wit, and an angel, detect in the other
party a simpleton, a brute, or a termagant! The walk of life, in
which they are found, may vary the shades, but it changes not the
natural circumstances of a picture, which, in its broader features,
applies alike to elevated and humble life.
The parties, in the bloom of life, in all the excitement of
juvenile buoyancy, moving in the illumined atmosphere of
imagination, meet at the party, ball-room, assembly, church, or
other place of concourse, for which the young dress, to look
around, and be gazed upon. They are clad in their gayest, and stand
on their best. No airs, or graces, that mothers, or friends, or
society, or their Chesterfield, or their imaginations can suggest,
are pretermitted. No attempted inflictions are spared from any
relentings of mercy. Many gratuitous nods and smiles and remarks,
and much odious affectation, inspired by the love of conquest, pass
well enough in the tinsel illusion of the scene and circumstances.
Accident brings the couple into contact. They sing, dance, walk,
converse, or, in some of these ways, are thrown together. Or,
perhaps, some officious mediator reports, to the one, flattering
remarks made by the other. The first impulses to the acquaintance
are those of vanity, and the instinctive attraction of persons,
so situated, towards each other. A vague and momentary liking,
which might be effaced, as easily as mists vanish in the sun, is
the result. The lady, from the delicacy of her organization, and
the quickness of her perceptions, is the first aware of the new
state of mutual feeling; and by conjoining a happy combination of
coquetry, shyness, and encouragement, adds fuel to the kindling
spark. They converse apart, and the masonic pressure of hands
is interchanged. Compliments ensue, more or less polished, and
eloquent, according to their native readiness and artificial
training. Vanity comes in with her legion of auxiliaries, and,
in the same proportion as memory invests this intercourse with
pleasant sensations and agreeable associations, conversation with
other persons, between whom and themselves these processes have
not commenced, becomes tasteless and irksome; and ennui in all
other society does its part to put imagination in action. They
find themselves weary and sad in separation. Fancy runs riot and
Public-domain text, read in full here on John Shaqi.
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