begins to weave her fairy tissue, and to build her oriental bowers. The parties are now in love, as they believe, and as the world pronounces. Now commence the hours of poetry and sentimentality; and the spring time of their new born passion. Not a moment, for discriminating observation of each other’s character, has yet occurred. The freshness of the vernal inclination acquires the fervor of settled and summer passion. The preliminaries of form are commenced; and under such associations, and with such mutual inclinations, incompatibility, unfitness, opposition of friends, all obstacles that are not absolutely insurmountable, disappear. What parent can resist the impassioned eloquence of a child, or contemplate for a moment the prospect of inflicting the agony of a disappointed and hopeless love! Have they measured each other’s understanding and good sense? No: this requires a discrimination, for which in the fever, the delirium of the senses, they have no capacity. Know they aught of each other’s worth and good temper? No. Lovers find nothing to jar their temper, or try their disposition. Surrounded by a halo of imagination, everything about them is invested with its brilliancy. The silliest remark of the _inamorata_ sounds in the ears of the lover, like the response of an oracle; and he is astonished and enraged that all others do not see, and hear with him. Everything that is said becomes wisdom, and everything done noble and graceful. Who has not heard all these ascriptions, all these extravagant eulogies, applied to a fair female, uttering nothing, and incapable of uttering anything, but voluble and vapid nonsense; or worse, ebullitions of envy, detraction and bad feeling! Meanwhile, the parties, enveloped in illusion, would not see real character, if they could; and could not, if they would. Is this extravagant, or exaggerated? Let the well known fact, that sensible men oftener marry fools, and gifted women coxcombs, than otherwise, be received as evidence, that this great transaction is generally commenced, and terminated under a spell, in which the actors see nothing, as it really is, and as it appears to disinterested spectators. After having united many hundred pairs myself, and seen all aspects of society, such seem to me the most common circumstances appended to the beginning, progress and issue of courtship, in its common forms.