Let us, however, go outside this room, among the multitudes by whom a novelist has never been considered an artist at all. To them the claim that a great novelist should be considered to occupy the same level as a great musician, a great painter, or a great poet, would appear at first a thing ludicrous and even painful. Consider for a moment how the world at large regards the novelist. He is, in their eyes, a person who tells stories; just as they used to regard the actor as a man who tumbled on the stage to make the audience laugh, and a musician as a man who fiddled to make the people dance. This is the old way of thinking, and most people think first as they have been taught to think; and next, as they see others think. It is, therefore, quite easy to understand why the art of novel-writing has always been, by the general mass, undervalued. First, while the leaders in every other branch of Art, in every department of Science, and in every kind of profession, receive their share of the ordinary national distinctions, no one ever hears of honours being bestowed upon novelists. Neither Thackeray nor Dickens was ever, so far as I know, offered a Peerage; neither King, Queen, nor Prince in any country throughout the whole world takes the least notice of them. I do not say they would be any the better for this kind of recognition, but its absence clearly proves, to those who take their opinions from others, that they are not a class at all worthy of special honour. Then, again, in the modern craze which exists for every kind of art--so that we meet everywhere, in every household, amateur actors, painters, etchers, sculptors, modellers, musicians, and singers, all of them serious and earnest in their aims--amateur novelists alone regard their Art as one which is learned by intuition. Thirdly, novelists are not associated as are painters; they hold no annual exhibitions, dinners, or conversazioni; they put no letters after their names; they have no President or Academy; and they do not themselves seem desirous of being treated as followers of a special Art. I do not say that they are wrong, or that much would be gained for Art if all the novelists of England were invited to Court and created into a Royal Academy. But I do say that for these three reasons it is easy to understand how the world at large does not even suspect that the writing of novels is one of the Fine Arts, and why they regard the story-teller with a sort of contempt. It is, I acknowledge, a kindly contempt--even an affectionate contempt; it is the contempt which the practical man feels for the dreamer, the strong man for the weak, the man who can do for the man who can only look on and talk.