minds should be fully possessed with the knowledge that Fiction is an Art, and that, like all other Arts, it is governed by certain laws, methods, and rules, which it is their first business to learn. It is, then, first and before all, a real Art. It is the oldest, because it was known and practised long before Painting and her sisters were in existence or even thought of; it is older than any of the Muses from whose company she who tells stories has hitherto been excluded; it is the most widely spread, because in no race of men under the sun is it unknown, even though the stories may be always the same, and handed down from generation to generation in the same form; it is the most religious of all the Arts, because in every age until the present the lives, exploits, and sufferings of gods, goddesses, saints, and heroes have been the favourite theme; it has always been the most popular, because it requires neither culture, education, nor natural genius to understand and listen to a story; it is the most moral, because the world has always been taught whatever little morality it possesses by way of story, fable, apologue, parable, and allegory. It commands the widest influence, because it can be carried easily and everywhere into regions where pictures are never seen and music is never heard; it is the greatest teaching power, because its lessons are most readily apprehended and understood. All this, which might have been said thousands of years ago, may be said to-day with even greater force and truth. That world which exists not, but is an invention or an imitation--that world in which the shadows and shapes of men move about before our eyes as real as if they were actually living and speaking among us, is like a great theatre accessible to all of every sort, on whose stage are enacted, at our own sweet will, whenever we please to command them, the most beautiful plays: it is, as every theatre should be, the school in which manners are learned: here the majority of reading mankind learn nearly all that they know of life and manners, of philosophy and art; even of science and religion. The modern novel converts abstract ideas into living models; it gives ideas, it strengthens faith, it preaches a higher morality than is seen in the actual world; it commands the emotions of pity, admiration, and terror; it creates and keeps alive the sense of sympathy; it is the universal teacher; it is the only book which the great mass of reading mankind ever do read; it is the only way in which people can learn what other men and women are like; it redeems their lives from dulness, puts thoughts, desires, knowledge, and even ambitions into their hearts: it teaches them to talk, and enriches their speech with epigrams, anecdotes, and illustrations. It is an unfailing source of delight to millions, happily not too critical. Why, out of all the books taken down from the shelves of the public