The art of glass-blowing : $b or Plain instructions for making the chemical and philosophical instruments which are formed of glassDanger, T.-P.
Science
The art of glass-blowing : $b or Plain instructions for making the chemical and philosophical instruments which are formed of glass
Danger, T.-P.
Glass blowing and working
The substance of the glass should be perfectly clear, without bulbs, or
specks, or stripes. The tubes are so much the more easy of use, as the
glass of which they are made is the more homogeneous. Under this point
of view, the white glass, known in commerce by the name of crystal or
flint-glass, is preferable to common glass: it is more fusible, less
fragile, and less liable to break under the alternations of heat and
cold; but it is dearer and heavier, and has the serious disadvantage
of becoming permanently black when exposed to a certain part of the
flame. This is an effect, the causes and consequences of which will be
explained in a subsequent chapter.
You must take care never to employ flint-glass for instruments
which are to be submitted to the action of certain fluids--such as
sulphuretted and phosphuretted hydrogen, and the hydro-sulphurets; for
these compounds are capable of decomposing flint-glass, in consequence
of its containing oxide of lead. In general, hard common glass is
preferable to flint-glass for all instruments which are to be employed
in chemistry. Flint-glass should only be used for ornamental objects,
and for the barometers, thermometers, and other instruments employed in
philosophical researches.
It sometimes happens that glass tubes lose their transparence and
ductility, and suddenly become almost infusible, in the fire of the
lamp: this effect takes place when they have been kept for some time
in a melted state. It is then almost impossible to bring them back to
their original condition; it can only be done by exposing them for a
long time to an exceedingly high temperature. You can prevent this
accident by working such kind of glass with considerable rapidity,
and in a pretty brisk fire. There are tubes, however, which vitrify
so promptly that it is only a person well versed in the art who can
make good use of them. It is best not to employ such glass. But how
can it be discriminated before-hand? It is experience, sooner than
any characters capable of description, that will teach you how to
make choice of good glass; nevertheless we have observed, that,
among the glass tubes which occur in commerce, those possessing a
very _white colour_ manifest this bad quality most particularly. It
may be observed, that, for tubes which are to have thin sides, this
vitrifiable sort of glass is better than any other.
For certain philosophical instruments it is necessary to employ flat
tubes. These are formed of flint-glass, are very small, and have a
canal or bore, which, instead of being round, as in common tubes,
has the form of a long and very flat oval. This disposition has the
advantage of rendering more perceptible the column of liquid that may
be introduced, and which in a round canal would scarcely be visible. In
choosing this sort of tubes, carefully avoid those of which the canal
is twisted, and not found to be in the same plane, in the whole length
of the tube.
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