The Art of IllustrationSpurgeon, C. H. (Charles Haddon)
Religion
The Art of Illustration
Spurgeon, C. H. (Charles Haddon)
Homiletical illustrations; Preaching
I trust that it is scarcely necessary to add that _illustrations must
never be low or mean_. They may not be high-flown, but they should
always be in good taste. They may be homely, and yet chastely beautiful;
but rough and coarse they should never be. A house is dishonored by
having dirty windows, cobwebbed and begrimed, patched with brown paper,
or stuffed up with rags: such windows are the insignia of a hovel rather
than a house. About our illustrations there must never be even the
slightest trace of anything that would shock the most delicate modesty.
We like not that window out of which Jezebel is looking. Like the bells
upon the horses, our lightest expressions must be holiness unto the
Lord. Of that which suggests the groveling and the base we may say with
the Apostle, "Let it not be once named among you, as becometh saints."
All our windows should open toward Jerusalem, and none toward Sodom. We
will gather our flowers always and only from Emmanuel's land, and Jesus
himself shall be their savor and sweetness, so that when he lingers at
the lattice to hear us speak of himself he may say, "Thy lips, O my
spouse, drop as the honeycomb: honey and milk are under thy tongue."
That which grows beyond the border of purity and good repute must never
be bound up in our garlands, nor placed among the decorations of our
discourses. That which would be exceedingly clever and telling in a
stump orator's speech, or in a cheap-jack's harangue, would be
disgusting from a minister of the gospel. Time was when we could have
found far too many specimens of censurable coarseness, but it would be
ungenerous to mention them now that such things are on all hands
condemned.
Gentlemen, take care that your windows are not broken, or even cracked:
in other words, _guard against confused metaphors and limping
illustrations_. Sir Boyle Roche is generally credited with some of the
finest specimens of metaphorical conglomerate. We should imagine that
the passage is mythical in which he is represented as saying, "I smell a
rat; I see it floating in the air; I'll nip it in the bud." Minor
blunderings are frequent enough in the speech of our own countrymen. An
excellent temperance advocate exclaimed, "Comrades, let us be up and
doing! Let us take our axes on our shoulders, and plow the waste places
till the good ship Temperance sails gaily over the land." We well
remember, years ago, hearing a fervent Irish clergyman exclaim,
"Garibaldi, sir, he is far too great a man to play second fiddle to
such a wretched luminary as Victor Emmanuel." It was at a public
meeting, and therefore we were bound to be proper; but it would have
been a great relief to our soul if we might have indulged in a hearty
laugh at the spectacle of Garibaldi with a fiddle, playing to a
luminary; for a certain nursery rhyme jingled in our ears, and sorely
tried our gravity. A poetic friend thus encouragingly addresses us:
Public-domain text, read in full here on John Shaqi.
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