The Art of IllustrationSpurgeon, C. H. (Charles Haddon)
Religion
The Art of Illustration
Spurgeon, C. H. (Charles Haddon)
Homiletical illustrations; Preaching
STUDENTS PROGRESSING BACKWARD.--Menedemus was wont to say "that the
young boys that went to Athens the first year were wise men, the
second year philosophers, the third orators, and the fourth were
but plebeians, and understood nothing but their own ignorance." And
just so it happens to some in the progresses of religion. At first
they are violent and active, and then they satiate all the
appetites of religion; and that which is left is that they were
soon weary and sat down in displeasure, and return to the world and
dwell in the business of pride or money; and by this time they
understand that their religion is declined, and passed from the
heats and follies of youth to the coldness and infirmities of old
age.
DIOGENES AND THE YOUNG MAN.--Diogenes once spied a young man coming
out of a tavern or place of entertainment, who, perceiving himself
observed by the philosopher, with some confusion stepped back
again, that he might, if possible, preserve his fame with that
severe person. But Diogenes told him, "_Quanto magis intraveris,
tanto magis eris in caupona_" ("The more you go back the longer you
are in the place where you are ashamed to be seen"). He that
conceals his sin still retains that which he counts his shame and
burden.
No examples will have greater weight with you than those taken from
among the Puritans, in whose steps it is our desire to walk, though,
alas! we follow with feeble feet. Certain of them abounded in anecdotes
and stories. _Thomas Brooks_ is a signal instance of the wise and
wealthy use of holy fancy. I put him first, because I reckon him to be
the first in the special art which is now under consideration. He hath
dust of gold; for even in the margins of his books there are sentences
of exceeding preciousness, and hints at classic stories. His style is
clear and full; he never so exceeds in illustration as to lose sight of
his doctrine. His floods of metaphor never drown his meaning, but float
it upon their surface. If you have never read his works I almost envy
you the joy of entering for the first time upon his "Unsearchable
Riches," trying his "Precious Remedies," tasting his "Apples of Gold,"
communing with his "Mute Christian," and enjoying his other masterly
writings. Let me give you a taste of his quality in the way of
anecdotes. Here are two brief ones; but he so abounds with them that you
may readily cull scores of better ones for yourselves.
Public-domain text, read in full here on John Shaqi.
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