The Art of IllustrationSpurgeon, C. H. (Charles Haddon)
Religion
The Art of Illustration
Spurgeon, C. H. (Charles Haddon)
Homiletical illustrations; Preaching
The chief reason for the construction of windows in a house is, as
Fuller says, _to let in light_. Parables, similes, and metaphors have
that effect; and hence we use them to _illustrate_ our subject, or, in
other words, to "_brighten it with light_," for that is Dr. Johnson's
literal rendering of the word _illustrate_. Often when didactic speech
fails to enlighten our hearers we may make them see our meaning by
opening a window and letting in the pleasant light of analogy. Our
Saviour, who is the light of the world, took care to fill his speech
with similitudes, so that the common people heard him gladly; his
example stamps with high authority the practice of illuminating heavenly
instruction with comparisons and similes. To every preacher of
righteousness as well as to Noah, wisdom gives the command, "A window
shalt thou make in the ark." You may build up laborious definitions and
explanations and yet leave your hearers in the dark as to your meaning;
but a thoroughly suitable metaphor will wonderfully clear the sense. The
pictures in an illustrated paper give us a far better idea of the
scenery which they represent than could be conveyed to us by the best
descriptive letterpress; and it is much the same with scriptural
teaching: abstract truth comes before us so much more vividly when a
concrete example is given, or the doctrine itself is clothed in
figurative language. There should, if possible, be at least one good
metaphor in the shortest address; as Ezekiel, in his vision of the
temple, saw that even to the little chambers there were windows suitable
to their size. If we are faithful to the spirit of the gospel we labor
to make things plain: it is our study to be simple and to be understood
by the most illiterate of our hearers; let us, then, set forth many a
metaphor and parable before the people. He wrote wisely who said, "The
world below me is a glass in which I may see the world above. The works
of God are the shepherd's calendar and the plowman's alphabet." Having
nothing to conceal, we have no ambition to be obscure. Lycophron
declared that he would hang himself upon a tree if he found a person who
could understand his poem entitled "The Prophecy of Cassandra." Happily
no one arose to drive him to such a misuse of timber. We think we could
find brethren in the ministry who might safely run the same risk in
connection with their sermons. Still have we among us those who are like
Heraclitus, who was called "the Dark Doctor" because his language was
beyond all comprehension. Certain mystical discourses are so dense that
if light were admitted into them it would be extinguished like a torch
in the Grotta del Cane: they are made up of the palpably obscure and the
inexplicably involved, and all hope of understanding them may be
abandoned. This style of oratory we do not cultivate. We are of the same
mind as Joshua Shute, who said: "That sermon has most learning in it
that has most plainness. Hence it is that a great scholar was wont to
Public-domain text, read in full here on John Shaqi.
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