The Art of IllustrationSpurgeon, C. H. (Charles Haddon)
Religion
The Art of Illustration
Spurgeon, C. H. (Charles Haddon)
Homiletical illustrations; Preaching
THE VESTAL AND THE BRACELETS.--Most men think because God hath
blessed them with an estate therefore they are blessed. Alas! God
often gives these things in anger. He loads his enemies with gold
and silver: as Plutarch reports of Tarpeia, a Vestal nun, who
bargained with the enemy to betray the Capitol of Rome to them in
case she might have the golden bracelets on their left hands, which
they promised; and being entered into the Capitol, they threw not
only their bracelets but their bucklers, too, upon her, through the
weight whereof she was pressed to death. God often lets men have
the golden bracelets of worldly substance, the weight whereof
sinks them into hell. Oh, let us, _superna anhelare_, get our eyes
"fixed" and our hearts "united" to God the supreme good. This is to
pursue blessedness as in a chase.
HEDGEHOG AND CONIES.--The Fabulist tells a story of the hedgehog
that came to the cony-burrows in stormy weather and desired harbor,
promising that he would be a quiet guest; but when once he had
gotten entertainment he did set up his prickles, and did never
leave till he had thrust the poor conies out of their burrows. So
covetousness, though it hath many fair pleas to insinuate and wind
itself into the heart, yet as soon as you have let it in, this
thorn will never cease pricking till it hath choked all good
beginnings and thrust all religion out of your hearts.
I think this must suffice to represent the men of the Puritanic period,
who added to their profound theology and varied learning a zeal to be
understood, and a skill in setting forth truth by the help of every-day
occurrences. The age which followed them was barren of spiritual life,
and was afflicted by a race of rhetorical divines, whose words had
little connection with _the Word_ of life. The scanty thought of the
Queen Anne dignitaries needed no aid of metaphor or parable: there was
nothing to explain to the people; the utmost endeavor of these divines
was to hide the nakedness of their discourses with the fig-leaves of
Latinized verbiage. Living preaching was gone, spiritual life was gone,
and consequently a pulpit was set up which had no voice for the common
people; no voice, indeed, for anybody except the mere formalist, who is
content if decorum be observed and respectability maintained. Of course,
our notion of making truth clear by stories did not suit the dignified
death of the period, and it was only when the dry bones began to be
stirred that the popular method was again brought to the front.
Public-domain text, read in full here on John Shaqi.
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