Criticism -- Great Britain; English literature -- History and criticism
He had the keen spirit of a masquerader. Masquerades, he declared, were
"one of my ancient passions," and we find him as an elderly man dressing
out "a thousand young Conways and Cholmondeleys" for an entertainment of
the kind, and going "with more pleasure to see them pleased than when I
formerly delighted in that diversion myself." He was equally an enthusiast
in his hobbies and his tastes. He rejoiced to get back in May to
Strawberry Hill, "where my two passions, lilacs and nightingales, are in
bloom." He could not have made his collections or built his battlements in
a mood of indifference. In his love of mediæval ruins he showed himself a
Goth-intoxicated man. As for Strawberry Hill itself, the result may have
been a ridiculous mouse, but it took a mountain of enthusiasm to produce
it. Walpole's own description of his house and its surroundings has an
exquisite charm that almost makes one love the place as he did. "It is a
little plaything house," he told Conway, "that I got out of Mrs.
Chenevix's shop, and is the prettiest bauble you ever saw. It is set in
enamelled meadows, with filigree hedges:
"A small Euphrates through the piece is roll'd,
And little finches wave their wings in gold."
He goes on to decorate the theme with comic and fanciful properties:
Two delightful roads that you would call dusty supply me continually
with coaches and chaises; barges as solemn as barons of the exchequer
move under my window; Richmond Hill and Ham-walks bound my prospect;
but, thank God, the Thames is between me and the Duchess of
Queensberry. Dowagers as plenty as flounders inhabit all around, and
Pope's ghost is just now skimming under my window by a most poetical
moonlight. I have about land enough to keep such a farm as Noah's
when he set up in the Ark with a pair of each kind.
Public-domain text, read in full here on John Shaqi.
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