Therefore, while we have many examples, both urban and suburban, of beautiful and impressive house architecture, the new sections of our cities and suburbs fairly bristle with a multiplicity of individual experiments in which the salient features of every known type of architecture are blended fearlessly together. The native architect who has neither been to Paris nor been able to devote much time to study has not been limited in the expression of his genius by artistic codes or conventions. Consequently he has felt no hesitation in using extinguisher towers, mediæval walls, battlement effects, Queen Anne cottage lines, Old Colonial proportions, and Eastern imagery in the same design, and any one of them at any critical juncture when his work has seemed to him not sufficiently striking for his own or the owner’s taste. Satisfactory as all this is as evidence of a progressive spirit, and admitting that many of even these lawless manifestations of talent are not without merit, it is nevertheless aggressively true that the smug complacency of the proprietor of the suburban villa, which is hedged about by a stone rampart of variegated rough stone on an ordinary building lot, has no justification whatever. Nor has the master of the castellated, gloomy, half-Moorish, half-mediæval mansion, which disfigures the fashionable quarter of many of our cities, occasion to congratulate himself on having paid for a thing of beauty. The number of our well-trained architects, though constantly increasing, is still small, especially as compared with the number of people of means who are eager to occupy a thing of beauty; then, too, even the trained architect is apt to try experiments for the sake of testing his genius, on a dog, so to speak--some confiding plutocrat with a love of splendor who has left everything to him. The result is that grotesque and eye-distressing monsters of masonry stand side by side on many of our chief avenues with the most graceful and finished specimens of native architectural inspiration. As there is no law which prevents one from building or buying an ugly house, and as the architect, whose experiment on a dog tortures the public eye, suffers no penalty for his crime, our national house architecture may be said to be working out its own salvation at the public expense. It is the duty of a patriotic citizen to believe that in this, as in other matters of national welfare, the beautiful gradually will prevail; and assuredly the many very attractive private residences which one sees both in the city and the country should tend to make us hopeful.