Now, Mrs. Julius Cæsar would have managed more cleverly. She would have
made the lamp-dealer exchange four or five of the lamps for, say, an
ornamental brass fender, a brass coal-scuttle, or a Japanese tea-tray,
and have made the jeweller substitute some equally desirable table
ornaments for the pepper-pots. And yet, when I made my wedding call on
Mrs. Cæsar, ten years ago, I remember thinking that her drawing-room
was a sort of compromise between a curiosity shop and a menagerie. To
begin with, I stumbled over the head of a tiger skin, which confronted
me as I passed through the _portière_, so that I nearly fell into the
arms of my hostess. It seemed to me that I had stepped into a veritable
bazaar. A large bear skin lay before the fire as a hearth-rug, and
on either side of the grate squatted a large, orientally conceived
china dragon with an open mouth. Here and there, under furniture or in
corners, were gaping frogs in bronze or china. A low plush-covered
table was densely arrayed with small china dogs of every degree.
On another table was spread a number of silver ornaments--a silver
snuff-box, a silver whistle, a silver feather, a silver match-box,
and a silver shoe-buckle--all objects of virtu of apparently antique
workmanship. There were three lamps with ornamental shades--a fluted
china shade, a paper shade in semblance of a full-blown rose, and a
yellow satin shade with drooping fringe. From the low studded ceiling
depended a vast Japanese paper lantern. Sundry and divers china
vases and shepherdesses occupied the mantel-piece and the top of the
book-case, and had overflowed on to a writing-table supplied with
brass ornaments. There were numerous pictures, large and small, on the
walls, under many of which colored china plates had been hung. There
were photographs in frames everywhere. The actual space where I could
stand without knocking over anything was about the size of a hat bath,
and was shut in by a circle of low chairs and divans besprinkled with
æsthetic yellow, green, and pink soft silk cushions. On one of these
divans my hostess was reclining in a Grosvenor gallery tea-gown, so
that she seemed to wallow in cushions, and Julius Cæsar himself was
sunk in the depths of one of the chairs, so near the ground that his
knees seemed to rest on his chin, and one might fairly have taken him
for another china frog of extraordinary proportions. All this in a
comparatively small room where there were several other knick-knacks
which I have omitted to mention. Better this, perhaps, than the
drawing-room of forty years ago, when the visitor’s gaze was bounded by
cold green rep, and he was restrained only by decorum from hurling into
the fire the tidy or antimacassar which tickled his neck, or detached
itself and wriggled down between his back and the back of the chair.
Public-domain text, read in full here on John Shaqi.
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