We, who are accustomed to applaud our civilization as the hope of the
world, may well look across the water and take suggestions from the
institutions of Great Britain, not with the idea of imitation, but with
a view to consider the forces at work there. For nearly a century now
the government, though in form a monarchy, has been substantially a
constitutional republic, imbued with inherited traditions and somewhat
galvanized by class distinctions, but nevertheless a constitutional
republic. The nobility still exists as a sort of French roof or
Eastern pagoda to give a pleasing appearance to the social edifice.
The hereditary meaning of titles has been so largely negatived by
the introduction of new blood--the blood of the strongest men of the
period--that they have become, what they originally were, badges
to distinguish the men most valuable to the State. Their abolition
is merely a question of time, and many of the leaders to whom they
are proffered reject them as they would a cockade or a yellow satin
waistcoat. On the other hand, and here is the point of argument,
the real aristocracy of England for the last hundred years has been
an aristocracy of the foremost, ablest, and worthiest men of the
nation, and with few exceptions the social and pecuniary rewards have
been bestowed both by the State and by public appreciation on the
master-spirits of the time in the best sense. Brilliant statesmanship,
wisdom on the bench, the surgeon’s skill, the banker’s sound
discernment, genius in literature and art, when signally contributed by
the individual, have won him fame and fortune.
It may be said, perhaps, that the pecuniary rewards of science and
literature have been less conspicuous than those accorded to other
successes, but that has been due to the inherent practical temperament
and artistic limitations of the Englishman, and can scarcely be an
argument against the contention that English society in the nineteenth
century, with all its social idiosyncrasies, has really been graded on
the order of merit.
Public-domain text, read in full here on John Shaqi.
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