The art of music. Vol. 01 (of 14) : $b The pre-Classic periods
History
The art of music. Vol. 01 (of 14) : $b The pre-Classic periods
Music -- History and criticism; Musicians
Music in nature--Theories of the origin of music--Intervals
and scales; contrast--The aborigines of Carribea,
Polynesia, Samoa, Africa--The rhythmic element: music and
the dance; instruments of percussion--Harmonic traces--Wind
instruments and their scales; the xylophone--Instruments
of semi-civilized peoples--The North American
Indian--Influence of modern culture on savage music.
II. EXOTIC MUSIC 42
Significance of exotic music--Classification; Aztecs and
Peruvians--The Orient: China and Hindustan, the
Mohammedans--Exotic instruments--Music as religious rite;
music and dancing--Music and customs; Orient and Occident.
III. THE MOST ANCIENT CIVILIZED NATIONS 64
Conjecture and authority--The Assyrians and Babylonians;
instruments; scales--The Hebrews--The Egyptians;
social aspects; Plato’s testimony; instruments--Egyptian
influence on Greek culture and its musical significance.
IV. THE MUSIC OF THE ANCIENT GREEKS 88
Significance of Greek music--Greek conception of music;
mythical records--Music in social life; folk-song; general
characteristics of Greek music--Systems and
scales--Pythagoras’ theories; later theorists: Aristoxenus
to Ptolemy--Periods of Greek composition; the _nomoi_;
lyricism; choral dancing and choral lyricism; the
drama--Greek instruments; notation.
PART II. BEGINNINGS
V. THE AGE OF PLAIN-SONG 128
Music in the Roman empire--Sources of early Christian
music; the hymns of St. Ambrose--Hebrew
traditions--Psalmody, responses, antiphons; the liturgy;
the Gregorian tradition; the antiphonary and the gradual;
sequences and tropes--Ecclesiastical modes; early notation.
VI. THE BEGINNINGS OF POLYPHONY 160
The third dimension in music--'Antiphony’ and Polyphony;
magadizing; organum and diaphony, parallel and
oblique--Guido d’Arezzo and his reputed inventions;
solmisation; progress of notation--Johannes Cotto and the
_Ad organum faciendum_; contrary motion and the beginning
of true polyphony--Measured music; mensural
notation--_Faux-bourdon_, _gymel_; forms of mensural
composition.
VII. SECULAR MUSIC IN THE MIDDLE AGES 186
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