The art of music. Vol. 01 (of 14) : $b The pre-Classic periods
History
The art of music. Vol. 01 (of 14) : $b The pre-Classic periods
Music -- History and criticism; Musicians
The wind with its fitful and irregular howling usually produces mere
noise, but there are times when it blows with such a steady intensity
through the forest that a definite tone is produced. One reads with
interest and sympathy in the memoirs of a certain naturalist how he,
while listening to the ethereal singing noises produced by myriads of
small insects, imagined that he caught but the lower notes of some
elfin symphony, too refined for mortal ears to hear. The songs of the
singing birds are very notable examples of 'natural music,’ for here
the tones are in many instances quite perfect, while the rhythms of
many bird-songs are sharply defined and easily noted.
But it is savage or primitive man who claims our greatest interest.
Untouched by learning, simple of mind and direct and naïve in his
conduct, he is at the same time a part of nature and the ancestor of
civilized man--a being not only endowed with strong rhythmic sense,
but with vocal powers far superior in possible variety of inflection
to those of any of the animals. His love cries, war songs, and savage
laments are as much natural music as are the songs of birds or the
cries of animals, and contain, even though crudely, the elements from
which civilized music has subsequently been developed. It is with him
that our story really begins.
Thus we see that the fundamental elements of music are to be found in
nature herself. Man, in his upward and wonderful course from barbarism
to civilization, has but cunningly combined these elements, with
ever-increasing intellectuality, until there has come to development
the glorious art of music as we know it to-day; an art which 'hath the
power of making Heaven descend upon earth,’ as it is written in the
Chinese annals.
I
When we contemplate the life of the savage we are to all intents and
purposes observing the lives of our own primitive ancestors. As we see
them to-day they without doubt portray for us a phase through which we
ourselves passed on our way upward to civilization. No tribe of savages
has yet been discovered who have not possessed some elemental fragments
of music. No matter how barbaric the people, how rude their manners,
or how savage their dispositions, music of some sort plays a vital
and significant part in their lives. Most savage tribes have their
war cries, songs, and dances; their playful or ceremonious dances;
their love or marriage songs, their funeral songs; and lastly, their
mysterious and pantheistically religious incantations: prayer songs,
appeals to unseen powers, either diabolical or beneficent; to effect
the deliverance of some person from a dread disease, or to bring rain,
or abundance of game, etc. All these are to be regarded as primitive
music--music which has hardly as yet attained the dignity of an Art.
Public-domain text, read in full here on John Shaqi.
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