The art of music, Vol. 02 (of 14) : $b Classicism and Romanticism
History
The art of music, Vol. 02 (of 14) : $b Classicism and Romanticism
Music -- History and criticism; Musicians
Reutter was considered a great musician in his day--he was ennobled in
1740--but he did not distinguish himself by kind treatment of little
Joseph, who was poorly clad, half starved, and indifferently taught.
The boy, however, seems, even at this early age, to have had a definite
idea of what he wanted, and doggedly pursued his own path. He got what
instruction he could from the masters of the school, purchased two
heavy and difficult works on thoroughbass and counterpoint, spent play
hours in practice on his clavier, and filled reams of paper with notes.
He afterwards said that he remembered having two lessons from von
Reutter in ten years. When he was seventeen years old his voice broke,
and, being of no further service to the chapel master, he was turned
out of the school on a trivial pretext.
The period that followed was one that even the sweet-natured man must
sometimes have wished to forget. He was without money or friends--or at
least so he thought--and it is said he spent the night after leaving
school in wandering about the streets of the city. Unknown to himself,
however, the little singer at the cathedral had made friends, and with
one of the humbler of these he found a temporary home. Another good
Viennese lent him one hundred and fifty florins--a debt which Haydn not
only soon paid, but remembered for sixty years, as an item in his will
shows. He soon got a few pupils, played the violin at wedding festivals
and the like, and kept himself steadily at the study of composition. He
obtained the clavier sonatas of Emanuel Bach and mastered their style
so thoroughly that the composer afterward sent him word that he alone
had fully mastered his writings and learned to use them.
At twenty Haydn wrote his first mass, and at about the same time
received a considerable sum for composing the music to a comic opera.
He exchanged his cold attic for a more comfortable loft which happened
to be in the same house in which the great Metastasio lived. The poet
was impressed by Haydn’s gifts and obtained for him the position of
music master in an important Spanish family, resident in Vienna.
Public-domain text, read in full here on John Shaqi.
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