The art of music, Vol. 04 (of 14) : $b Music in America
History
The art of music, Vol. 04 (of 14) : $b Music in America
Music -- History and criticism; Musicians
In 1855 Maretzek produced Rossini's 'William Tell' and Verdi's _Il
Trovatore_ at the Academy. He had a good company which included the
soprano Steffanone--one of Señor Marty's singers--and the tenor
Brignoli, who became a great favorite with New Yorkers. A Mr. Payne
opened a season of forty nights there in the fall of 1855 and in the
following year Maretzek again became lessee. He soon quarrelled with
the proprietors of the Academy and went to Boston. In January, 1857,
Maurice Strakosch opened a season of Italian opera with an indifferent
company, but in March Maretzek reappeared and set up an opposition at
Niblo's. The next few seasons were marked by an amount of activity
in which control of the operatic field was a consideration paramount
to artistic achievement. Maretzek, Strakosch, and the latter's aide,
Bernard Ullman, were the principals in an amusing campaign which, on
more than one occasion, saw the rival impresarios acting as partners.
Strakosch and Ullman opened the Academy season in the fall of 1857 with
the fascinating Emmilia Frezzolini in _La Sonnambula_. Carl Anschütz,
later of the Arion, was conductor. It was really a good season and,
though it saw no novelties, it was redeemed from the usual hurdy-gurdy
category by the production of _Les Huguenots_ and _Robert le Diable_.
In March, 1858, 'Leonora,' by the American composer W. H. Fry, was
produced at the Academy under the bâton of Carl Anschütz.
Maretzek, in the meantime, was in Philadelphia with a company headed
by the famous buffo, Roncone. In 1858 he returned to New York and
opened a season at the Academy, while Strakosch took up a stand at
Burton's Theatre. Ullman came from Europe in October, bringing with him
the saucy and winsome Maria Piccolomini, whom he advertised as a lineal
descendant of Charlemagne and the great-granddaughter of Schiller's
hero, Max Piccolomini. As a showman Ullman was second only to the great
Barnum. Maretzek and Ullman joined hands at the Academy in the fall of
1859 and presented Adelina Patti in _Lucia di Lammermoor_.
Public-domain text, read in full here on John Shaqi.
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