The art of music, Vol. 04 (of 14) : $b Music in America
History
The art of music, Vol. 04 (of 14) : $b Music in America
Music -- History and criticism; Musicians
If, then, the appreciative epoch along the older lines, is concluded in
America, it may be said that the nation is coming to a new appreciation
of music, as a whole, in its relation to humanity. The new movement
will call forth new and larger efforts on the part of American
composers, who, with their present thorough assimilation of the various
musical influences of the world, will lead the nation into a new and
mature creative epoch.
ARTHUR FARWELL.
August, 1914.
CONTENTS OF VOLUME FOUR
PAGE
INTRODUCTION BY ARTHUR FARWELL vii
PART I. APPRECIATION
CHAPTER
I. OUR ENGLISH INHERITANCE 1
The foundation of American musical culture--State of
English musical culture in the seventeenth century--The
Virginia colonists--The Puritans in England and in America;
New England psalmody.
II. BEGINNINGS OF MUSICAL CULTURE IN AMERICA 22
The foundations of American music--New England's
musical awakening; early publications of psalm-tunes;
reform of church singing--Early concerts in Boston, New
York, Philadelphia, the South--The American attitude
toward music--The beginnings of American music: Hopkinson;
Lyon; Billings and their contemporaries.
III. EARLY CONCERT LIFE 55
Sources of information--Boston Concerts of the eighteenth
century; New England outside of Boston--Concerts in New
York--Concerts in Philadelphia; open-air concerts--Concert
life of the South; Charleston, Baltimore, etc.; Conclusion.
PART II. ORGANIZATION
IV. EARLY MUSICAL ORGANIZATIONS 84
Origin of musical societies--The South; The St. Cecilia
of Charleston; Philadelphia and New York in the eighteenth
century--The Euterpean Society; the New York Choral Society;
Sacred Music Society; other New York Societies--New
England in the eighteenth century; the Stoughton Musical
Society of Boston; other societies in Boston and elsewhere.
V. THE BEGINNINGS OF OPERA 104
Scantiness of theatrical performances in America; Charleston
and Tony Aston; New York, Philadelphia and elsewhere--The
Revolution and after; rivalry between New York and
Philadelphia--The New Orleans opera.
VI. OPERA IN THE UNITED STATES. PART I: NEW YORK 117
Public-domain text, read in full here on John Shaqi.
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