The art of music, Vol. 04 (of 14) : $b Music in America
History
The art of music, Vol. 04 (of 14) : $b Music in America
Music -- History and criticism; Musicians
The population of Virginia always remained largely rural, but
nevertheless there was social life aplenty. Education was mainly in the
hands of the clergy, who, as a rule, were Englishmen of culture. But
steps toward public education were taken at a very early period. The
attempt of 1621 failed, as we have noticed, but in 1635--three years
before John Harvard made his bequest--Benjamin Syms left an endowment
for a free school in Virginia. This, to quote a recent writer, 'was
the first legacy by a resident of the American plantations for the
promotion of education.' Another free school was established in 1655 by
Captain Henry King, and two in 1659 by Thomas Eaton and Captain William
Whittingdon. In 1670, according to a report from Sir William Berkeley
to the Commissioners of Foreign Plantations, the population of Virginia
consisted of 40,000 persons, of whom 2,000 were negro slaves and 5,000
white servants. The 2,000 negro slaves probably included a number of
mulattoes, for even then there must have been traffic between white men
and negro women, as we may infer from the law which gave to a child
the status of its mother. The remainder of the population was almost
exclusively English. What we have said of Virginia in the seventeenth
century applies also in a general way to Maryland and Carolina, both
as to population and conditions, though the Huguenot emigration to
Carolina in 1685 made a decided difference in the character of the
population there subsequent to that date.
This brief incursion into general history has been made, not to
prove anything, but to bring forward a few facts which may be found
suggestive. The Southern colonists during the seventeenth century were
predominantly English people of the first and second generations. They
were fairly representative of contemporary English society, though
the proportion of 'gentlemen' was higher among them than at home.
They came, as we have seen, from a country where music was practised
enthusiastically by all classes. It is preposterous to think that in
the new country they discarded their musical tastes like a worn-out
garment. There is no reason why they should have done so. After the
first years of famine and turmoil and death they were comparatively
peaceful and prosperous. There were among them, it is true, a certain
number of stern-faced Puritans, melancholy preachers of the sinfulness
of pleasure; but on the whole the attitude of the Southern colonists
toward life was that of the gay, gallant, laughter-loving cavaliers.
There is little doubt that these same gallant gentlemen kept up in the
colonies that devotion to the _joyeuse science_ for which they had
been famed since the days of Cœur de Lion. In the announcements of
the early concerts at Charleston in the first half of the eighteenth
century we find that the orchestra was often composed in part of
neighboring gentlemen, who were good enough to lend their services for
Public-domain text, read in full here on John Shaqi.
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