The art of music, Vol. 04 (of 14) : $b Music in America
History
The art of music, Vol. 04 (of 14) : $b Music in America
Music -- History and criticism; Musicians
Many theories there are also regarding the origin of the tune. Most
of them, including the well-known story of a British officer having
composed it during the Revolution, are impossible, while the claim of
Dr. Richard Schuchburgh[82] as its composer (at Albany in 1755) is
very doubtful. It is said to have been played by a fife-major of the
Grenadier Guards in 1750 as a march, and a tune at least similar to it
is supposed to have been familiar to the English peasantry previous
to the time of Charles I. Whatever its origin, it was played by the
Americans at Burgoyne's surrender (Saratoga, 1777) and again at the
surrender of Yorktown, at the instance of Lafayette, who probably
intended it as a taunt. It was recognized officially as an American
national song at the signing of the treaty of Ghent (1814), when the
Flemish burghers serenaded the American ambassadors with the tune,
having learned it from Henry Clay's servant!
'America,' sung to the same tune as 'God Save the King'--a tune that
has been variously appropriated by other nations--had its American
origin in the Park Street Church, Boston, the words being written for
a children's celebration held on July 4, 1832, by the Rev. Samuel F.
Smith, a young theological student. Before this, however, the tune
had done service at different times for 'God Save America,' 'God Save
George Washington,' and what not. The origin of the melody, like that
of many other good tunes, is shrouded in mystery. It is generally
attributed to Dr. John Bull (b. 1563), who is supposed to have written
it for a banquet given to James I in 1607. But Mr. Sonneck remarks that
'with such arguments [as Mr. Elson's comparisons] the main theme of the
last movement of Beethoven's Ninth Symphony would become very close to
being inspired by 'Yankee Doodle.'[83] After citing many theories Mr.
Elson remarks that 'there seems, however, scarcely a doubt that Henry
Carey, the composer of "Sally in Our Alley," the unfortunate genius
who commited suicide after a blameless life of eighty years, with a
single half-penny in his pocket [in the year 1740], was the author and
composer of the great anthem.'
Public-domain text, read in full here on John Shaqi.
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