The art of music, Vol. 04 (of 14) : $b Music in America
History
The art of music, Vol. 04 (of 14) : $b Music in America
Music -- History and criticism; Musicians
Joseph Hopkinson (1770-1842), in a letter of August 24, 1840, throws
light on the origin of 'Hail Columbia,' another popular American
patriotic song. It was, according to him, originally a political song
rather than a national one. The tune is that of the old 'President's
March,' a leading work in the early American répertoire, composed, some
say, by Johannes Roth, a German musician of Philadelphia, popularly
known as 'Old Roth,' in 1689, but more probably by a certain Pheil, to
whom it is attributed in a copy of the year 1793, in the possession of
the Library of Congress.[84] In 1798 Hopkinson wrote new words for it,
which were a glorification of President Adams and Federalism. Sung by
Hopkinson's friend, Gilbert Fox, an actor, at a benefit performance,
it roused great enthusiasm and the audience joined in the chorus. But
the 'Aurora' of April 27,1798, called it 'a most ridiculous bombast and
the vilest adulation of the Anglo-monarchical party.' Since its use as
a Federal song 'Hail Columbia' has undergone a considerable process of
polishing, but its erstwhile popularity has not by any means worn off.
'The Star Spangled Banner,' because of its exclusive use and its
inherent musical strength universally recognized as _the_ 'National
Anthem' of America, is, like its brothers, an imported article. The
tune is that of an old English drinking song, 'To Anacreon in Heaven,'
written by the president of the Anacreontic Society in London about
1770-75. The music is, in all likelihood, by John Stafford Smith
(1750-1836), also a member of the society and author of the _Musica
Antiqua_ (1832). Its American use dates from 1798, when Robert Treat
Paine, whose real name was Thomas Paine, but who objected to being
confused with the 'atheist' Paine, adopted it to words of his own,
under the title of 'Adams and Liberty, the Boston Patriotic Song.'
Other versions, such as 'Jefferson and Liberty,' appeared for various
occasions, one even to celebrate the Russian victory over Napoleon! But
the real version, the one we know to-day, was born during the War of
1812 under conditions which fire the patriot's imagination.
The story is well known. Francis Scott Key, the author of the words,
was sent to the British Fleet in Chesapeake Bay as the envoy of
President Madison to request the release of a non-combatant citizen
held as prisoner. As the bombardment of Fort Henry was to take place
that day, the British commander retained Key till there was no fear of
divulging the British plans. On the morning of Sept 14th, after a night
of bombardment, the anxious envoy looked toward the fort and there saw
the flag of his country still flying proudly over the battlements.
Inspired by the sight, he wrote the first stanza on the back of an old
letter:
Public-domain text, read in full here on John Shaqi.
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