The art of music, Vol. 04 (of 14) : $b Music in America
History
The art of music, Vol. 04 (of 14) : $b Music in America
Music -- History and criticism; Musicians
However, we must not jump to the conclusion that the American Puritans
were as freely inclined to the practice of music as their brethren
across the sea. As a matter of fact, they had no musical life
whatsoever. There are some points in the psychology and condition
of the New England colonists which may help to explain this seeming
anomaly. A large proportion of the people of England were Puritans
merely because it was not safe or convenient for them to be anything
else, and they changed their moral and theological complexions just as
soon as a change in fashion rendered the transformation desirable. Many
of the most prominent members of the Parliamentary party were drawn
into the movement more through political ambition or democratic ideals
than for religious reasons. Cromwell's famous 'Trust in God and keep
your powder dry' might well express the mental attitude of more than
a few of them. Even among the religious leaders were a goodly number
whose only desire was to reform what they considered the ritualistic
abuses in the English church of their time and who had not the
slightest ambition to suppress the harmless pleasures of life or the
ordinary manifestations of human instincts. The New England Puritans,
on the other hand, were a select group of people who were driven
across an inhospitable ocean to the barren shores of a strange land by
the indomitable zeal of their convictions, the stern intractability of
their consciences and the adamantine obstinacy of their independence.
They were not Puritans merely in externals; they were Puritans to the
core. Their view of life was uncompromisingly serious. The world was
not to them a place for dalliance; it was a place for work, for the
earnest sowing of seeds that might bring forth a harvest of grace and
godliness, a harvest worthy to be garnered by the Master into His
eternal storehouse. So, however kindly they may have looked upon music,
they could not conscientiously have allowed it to engage much of their
attention. They could with consistence postpone the gratification of
their musical tastes to the next world, where, for all eternity, the
practice of music would be their chief occupation. Besides, the life
of the first settlers in New England was not such as to encourage any
indulgence in unnecessary relaxation. What with the stubborn barrenness
of the soil, the ferocity of the Indians, and the extreme inclemency of
the climate, they had little opportunity for the cultivation of those
gentler arts toward which by taste and temperament they were not, in
any case, very strongly inclined.
Public-domain text, read in full here on John Shaqi.
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