The art of music, Vol. 04 (of 14) : $b Music in America
History
The art of music, Vol. 04 (of 14) : $b Music in America
Music -- History and criticism; Musicians
Mr. Enstone was a person of versatility. Apparently he triumphed over
'ye Sel. men,' and, in addition to this gratifying fact, we may infer
from his advertisement that musical instruments were used to an extent
in Boston prior to 1716. If Mr. Enstone's consignment were the first he
would hardly have failed to mention it. He is exhaustively informative.
The allusion to the mending of musical instruments also suggests that
already they were not uncommon. 'Virginalls and Spinnets' were strung
and tuned by Mr. Enstone, though they were not included in his imported
collection. We have been unable to discover any information which would
throw light on the extent to which musical instruments were used in New
England during the first half of the eighteenth century. Even toward
the end of the century their use was not very common. But probably they
were used to some extent among people of culture as early as the year
1700, and to an increasing extent as time advanced and old prejudices
weakened.
Among the people at large the most potent factor in developing a
musical life was the formation of singing societies for the cultivation
of a proper method of singing psalms. This reformation had long been
advocated by the most enlightened clergymen of the colony. Prominent
among them was the Rev. Thomas Symmes, who thus interrogatively argues
his cause:
'Would it not greatly tend to promote singing of psalms if singing
schools were promoted? Would not this be a conforming to _scripture
pattern_? Have we not as much need of them as God's people of old?
Have we any reason to expect to be inspired with the gift of singing,
any more than that of reading? Or to attain it without suitable means,
any more than they of old, when _miracles_, _inspirations_, etc., were
common? Where would be the _difficulty_, or what the disadvantages, if
people who want skill in singing would procure a skillful person to
instruct them, and went two or three evenings in the week, from _five_
or _six_ o'clock to _eight_, and spend the time in learning to sing?
Would not this be an innocent and profitable recreation, and would
it not have a tendency, if prudently managed, to prevent the expense
of time on other occasions? Has it not a tendency to divert young
people, who are most proper to learn, from learning _idle, foolish_,
yea _pernicious songs_ and ballads, and banish all such _trash_ from
their minds? Experience proves this. Would it not be proper for _school
masters_ in _country parishes_ to teach their scholars? Are not they
very unwise who plead against learning to sing by rule, when they can't
learn to sing at all unless they learn by rule? Has not the grand enemy
of souls a hand in this who prejudices them against the best means of
singing? Will it not be very servisible in ministers to encourage their
people to learn to sing? Are they not under some obligation by virtue
of their office to do so? Would there not, at least in some places,
Public-domain text, read in full here on John Shaqi.
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