The art of music, Vol. 04 (of 14) : $b Music in America — John Shaqi
The art of music, Vol. 04 (of 14) : $b Music in America
History
The art of music, Vol. 04 (of 14) : $b Music in America
Music -- History and criticism; Musicians
In 1721 the Rev. Thomas Walter, of Roxbury, Mass., published a book
comprehensively entitled 'The Grounds and Rules of Musick explained. Or
an introduction to the Art of singing by Note: Fitted to the meanest
capacity. By Thomas Walter, A.M. Recommended by Several Ministers.'
As illustrating the Rev. Mr. Walter's qualifications to explain 'the
Grounds and Rules of Musick' we would quote the following delightful
and illuminating disquisition: 'There are in Nature but _seven distinct
sounds_, every eighth Note being the same. Thus when a tune is sung
by another upon a Key too low for the Compass of my Voice, if I will
sing with the Person, it must be all the Way, _eighth Notes_ above
him. I naturally sound an Eighth higher. So a Woman naturally strikes
eighth notes above the grum and low sounding Voice of a Man, and it
makes no more Difference than the singing of two Persons upon an Union
or a Pitch. So, on the contrary, when we sing with a Voice too High
and shrill for us, we strike very naturally into an Octave or Eighth
below. And here let it be observed that the _Height_ of a note and the
_Strength_ of singing it are too different Things. Two notes of equal
Height may be sounded with different degrees of Strength so as that one
shall be heard much further than the other.' This book has the honor of
containing the 'first music printed with bars in America,' Mr. Tufts
having omitted in his works the bars marking the measures.[11] The
arrangements were taken from Playford.
In 1741 Dr. Watts' 'Psalms' were printed in Boston, and an edition
of Watts' 'Hymns' were printed in the same year by Dr. Franklin in
Philadelphia. The next important publication was a part of Tansur's
collection,[12] which was printed by William Bailey at Newburyport,
Mass., in 1755, under the title of 'A Complete Melody in Three Parts.'
In 1761 there was published in Philadelphia a large work called
'Urania, or a Choice Collection of Psalm-Tunes, Anthems and Hymns. From
the most approv'd Authors with some entirely new: In Two, Three and
Four Parts. The Whole peculiarly adapted to the use of Churches, and
Private Families. To which are prefix'd the Plainest and most Necessary
Rules of Psalmody. By James Lyon, A.B....' Three years later appeared
in Boston 'A Collection of the best Psalm Tunes, in two, three and
four parts; from the most approved authors, fitted to all measures,
and approved by the best masters in Boston, New England; the greater
part of them never before printed in America. Engraved by Paul Revere,
printed and sold by him and Jos. Flagg.' In his preface Flagg, with
admirable patriotism, pointed out that, though most of the tunes in
his book came from across the Atlantic, the paper on which they were
written was of American manufacture; and he hoped that the fact would
recommend his book 'even to those who have no peculiar relish for
the music.' We shall have more to say of Flagg in a later chapter.
Public-domain text, read in full here on John Shaqi.
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