The art of music, Vol. 05 (of 14) : $b The voice and vocal music
History
The art of music, Vol. 05 (of 14) : $b The voice and vocal music
Music -- History and criticism; Musicians
In the first song the hero tells of his lost sweetheart, and sings to
the memory of her a touching ‘Good-night’ lullaby. The second hears the
wind playing about the roof of the house, and suggests that even so
circumstances play with man’s heart. In the third he finds the cold air
freezing his tears--thus his very sorrow has become fixed and rigid.
The fourth is a vision of the world paralyzed in the cold of winter:
his heart is frozen and her picture is blotted out of it. In the fifth
he remembers the linden tree under which they spent their happiest
hours.
So the songs go, one after another. The ninth is the ‘Will-o’-the-wisp’
song; he will not be misled by these false lights, for his heart has
been misled by such beacons before. In the next, ‘Rest,’ the hero
tells how he is so occupied by the pain of his travelling and the pain
of his sorrow that only when he lays his body down to rest at night
does he realize how tired he is. From this point on the great songs
of the cycle are numerous. The thirteenth, ‘The Post,’ pictures the
galloping of the approaching mail coach, with the blowing of its horn.
Is there a letter for him? No, for he is alone in the wide world. The
post departs--in a minor key. In the fourteenth song, _Der greise
Kopf_, he notices that the frost has made his hair white, and he thinks
of himself as an old man, and wishes he could be many years removed
from his sorrow. In the long and somewhat descriptive song, _Im Dorfe_,
he enters a village and the dogs bark at the lonely wanderer; even so
the world is strange and hostile to him. In _Täuschung_ (‘Illusion’)
he sees a light in the distance, and hopes it comes from a hospitable
farmhouse. But, alas! the light was an illusion, like the rest of the
things we hope for in life.
Then come five final songs--every one a masterpiece of the first order.
The _Wegweiser_ tells of the sign-post the hero sees on the road. But
there is another sign-post which is also directing him on his longer
road and it points relentlessly the way to Death. Yet, in the next
song, _Das Wirtshaus_, when he approaches a graveyard, he finds no
welcome awaiting: the rooms of this tavern are all occupied. Death
itself will not soothe his loneliness. In the next song, ‘Courage,’
he makes a final despairing effort to free himself from his misery by
pure force of will-power. If the snow flies in his face, he will dash
it aside. He will laugh loud and merrily. If life is an illusion, he
will _make_ it worth while. If there are no gods on earth, we ourselves
shall be gods. But this mood cannot last. He sees two false suns in the
heavens, in addition to the one that has always been there. But they
vanish, like the two suns of earlier years--the eyes of his beloved.
Only one more sun need vanish and blessed night will come for him.
Public-domain text, read in full here on John Shaqi.
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