The art of music, Vol. 05 (of 14) : $b The voice and vocal music
History
The art of music, Vol. 05 (of 14) : $b The voice and vocal music
Music -- History and criticism; Musicians
But we know that the songs were there and that they gave to little
lives the opportunity of being big. We find it hard to realize how
important they were, now that telegraph wires have connected all parts
of the world, when a message can be sent from San Francisco to Moscow
and back in a day, when all that has happened the world over (and much
besides) is spread out before us on paper at our breakfast tables the
next morning, when all knowledge is classified and published and can be
found in any good public library. Imagine yourself living in a village
or working on a farm without these things. It is a day’s walk to the
next village. The next country lies beyond the mountains and there are
no passes over, and besides there would be no way of living if you
left your work, unless you went as a pilgrim. Every year a few young
men wander away seeking their fortunes and never come back. Every year
a few men come seeking their fortunes and stay. One or two men have
wandered the world and come back home, telling wonderful incoherent
tales of what happens beyond the mountains. But this is all the news
you get beyond the gossip of your town and the country around--except
that once in a while comes a wandering minstrel or juggler with tricks
and songs. He will tell you the political fortunes of the next kingdom
and whether its king is likely to go to war with your king and whether
you will thus be forced to serve in the army. He will tell you the
gossip and scandal of the courts. He will tell you the customs of other
people and will give you practical hints that may save you trouble in
your work. And, best of all, he will tell you new stories to vary the
monotony of the village gossip. So you will spend a wonderful afternoon
listening to him in the village square, and when he is gone you will
have something to think and talk about for weeks to come.
Public-domain text, read in full here on John Shaqi.
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