The art of music, Vol. 06 (of 14) : $b Choral and church musicCole, Rossetter G. (Rossetter Gleason)
History
The art of music, Vol. 06 (of 14) : $b Choral and church music
Cole, Rossetter G. (Rossetter Gleason)
Music -- History and criticism; Musicians
‘The Gutenberg Festival Cantata.’--Mendelssohn wrote this short
festival cantata for the fourth centennial celebration of the invention
of printing, observed at Leipzig, June 24, 1840, by the unveiling
of Gutenberg’s statue in the public square. The text was written by
Adolphus Prölsz, a teacher in the Gymnasium at Freiberg. A stately
chorale leads to ‘Fatherland! within thy confines,’ a song[68] written
in memory of Gutenberg. Next comes a spirited melody for tenors, ‘And
God said, "Let there be Light,"’ followed by a closing chorale, ‘Now,
thank God all.’
‘Antigone.’--The incidental music to Sophocles’ _Antigone_ was
composed in 1841 in the short space of eleven days, and was privately
presented at Potsdam before William IV of Prussia and his court,
October 28. Its first public performance was at Leipzig, March 5, 1842.
It was written for male chorus and orchestra and consists of seven
numbers. Although built along modern lines, Mendelssohn’s felicitous
music faithfully represents the spirit of the ancient Greek tragedy.
‘Œdipus at Colonos.’--At the command of the king of Prussia, from whom
Mendelssohn had received the commission of chapel-master in 1841, the
music to this tragedy by Sophocles was composed in 1843 and its first
presentation took place at Potsdam November 1, 1845. The music, sung by
two male choruses antiphonally, embraces nine choral numbers, preceded
by a short introduction. The third number, closing with an invocation
to Neptune by the united choruses, is the gem of the work and has few
equals in effective choral writing. It is frequently heard in detached
form on the concert stage.
IV
Public-domain text, read in full here on John Shaqi.
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