The art of music, Vol. 06 (of 14) : $b Choral and church musicCole, Rossetter G. (Rossetter Gleason)
History
The art of music, Vol. 06 (of 14) : $b Choral and church music
Cole, Rossetter G. (Rossetter Gleason)
Music -- History and criticism; Musicians
“And suddenly there was with the Angel a multitude of the heavenly
host praising God and saying, Glory to God in the highest and on earth
peace, good will toward men.”
This choir of angels (for can we conceive of a multitude of angels
announcing this message otherwise than in well-ordered song?) typifies
the mission of choral singing.
Whenever human beings unite in expressing noble thoughts in noble
music, their message also is one of good will. Their speech is rendered
in rhythmic cadence, intoned in harmonious concord and made expressive
by melody; they are bound together in amicable union for a common
purpose; they willingly submit to the discipline of a controlling mind;
their object is to put beauty into the world and the peace and harmony
which are required to make their work effective are communicated to
those who hear them and whose souls they cause to vibrate in unison
with their music.
It is not to be wondered at, therefore, that the practice of choral
singing dates back to very early times. Not, of course, in the way in
which we understand the term to-day, as an art-form, but in cruder
forms of singing or chanting in unison such as may still be heard among
uncivilized or half-civilized tribes.
The desire to unite in the performance of religious rites, in prayers
for rain or in praise of the deity; in the mutual encouragement to do
battle against a common foe; in the celebration of seasonal changes,
in rejoicing over the gifts of nature or the fruits of their toil at
harvest time--all these common feelings induce a common expression and
stimulate choral singing.
The development from these crude forms to the art-forms of the present
has not only extended over a long period, but has been affected and
influenced by many and various factors. For purposes of discussion we
may divide these into two main classes: the Church and the Folk-song.
These two factors have brought to the evolution of choral singing
certain elements which, though diametrically opposed, yet most happily
complement each other, namely, obedience to law and freedom of
expression.
Public-domain text, read in full here on John Shaqi.
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