The art of music, Vol. 06 (of 14) : $b Choral and church musicCole, Rossetter G. (Rossetter Gleason)
History
The art of music, Vol. 06 (of 14) : $b Choral and church music
Cole, Rossetter G. (Rossetter Gleason)
Music -- History and criticism; Musicians
Societies like the Oratorio Society of New York, the Handel and Haydn
of Boston, the Apollo Club of Chicago, and numerous similar ones in
nearly every city are also composed of amateurs, but admission is
obtained only after proof of good vocal material and ability to sing at
sight has been given. This enables such organizations to perform with a
high degree of artistic finish and to produce a number of large works
every season.
The male societies, such as glee clubs and _Deutsche Gesangvereine_,
cultivate a lighter class of music, but they sometimes reach a high
degree of vocal excellence and finish in diction and phrasing. They
afford a welcome relief from work, business cares, and mental strain to
many men who like to sing and who enjoy the weekly rehearsals and the
social intercourse with congenial men which usually follows the drill.
The women’s choruses are not as numerous nor as popular as the
men’s, but seem to be growing more so every year. It is difficult to
understand why male choral singing should have developed more quickly
and more widely, as women are usually more interested in music than the
average man. Perhaps there is a psychological reason for it!
Choruses of children’s voices are among the most delightful
manifestations in the realm of music when they are well trained. Our
public schools throughout the country have the best possible machinery
for their development, and wherever this is guided by a good musician
and competent organizer the results are very beautiful. It is a great
pity, therefore, that the start in the direction of choral singing
given in the schools to hundreds of thousands of children every year
should not be systematically followed up by providing municipal evening
singing classes, either in the school buildings or in other suitable
halls provided by the city. Such classes would tend enormously to
uplift the young people who are just beginning life by giving them
opportunity to meet their friends under clean and pleasant conditions,
to enjoy the study of beautiful music and thereby to put into their
lives something which will help to lift them above the purely material
thoughts and commonplace existence which are so often the lot of the
wage-earner.
There remains only the consideration of the various kinds of
professional choruses. Of these, the church choir is the most
frequently met with. As a rule, it is little better than the average
amateur chorus, the members receiving a nominal fee, chiefly in order
to insure their regular attendance at rehearsals and services. But
there are some notable exceptions in the case of wealthy congregations
who spend whatever may be necessary to secure a highly gifted
and thoroughly competent choir-master, good voices, and frequent
rehearsals. In some cases there have been established richly endowed
choir schools in which boys gifted with good voices receive not only
musical training, but an excellent general education sufficient to
prepare them for college.
Public-domain text, read in full here on John Shaqi.
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