American prose literature; English prose literature; Narration (Rhetoric)
Olivier, during all this happy time, has lodged at the castle of
a friendly vassal of St. Aliquis, and he rides over frequently to
visit his betrothed. He is excellently bred and knows everything
expected of a prospective bridegroom of good family. The alliance has
been largely negotiated by his parents, but he has been consulted,
understands that Alienor is witty and beautiful, and he is wholly
aware of the worldly advantages of being Conon’s brother-in-law. At
meals he and his beloved are allowed to sit together and above all
to eat out of the same porringer, when he delicately leaves to his
intended all the best morsels. He consults a competent jongleur, and
with his aid produces suitable verses praising his fiancée’s beauty.
He gives her a gold ring with both his own name and hers engraved
thereon. In return, besides a sleeve and a stocking to hang on his
lances (gifts which she has already sent in mere friendship to
other cavaliers), she bestows a lock of her hair set around a gold
ring; likewise a larger lock which he may twine around his helmet.
The happy pair are permitted to take long walks together, and to
promenade up and down the garden, with Olivier holding his lady in
the politest manner by one finger--the accepted method of showing
intimacy.
We have said that Conon is resolved to knight his brother at the same
time he gives his sister in marriage. This involves holding a tourney
and many other proceedings really unnecessary for a wedding; but, of
course, it will attract a much greater number of guests and advertise
the prosperity of the baron of St. Aliquis to all northwestern
France. The knighting and tourney will come after the bridal,
however, and it is easier to explain the two things separately. We
omit the gathering of the wedding guests--the coming of distant
counts, barons, and sires; the erection around St. Aliquis of a real
village of brilliant tents and pavilions; the ceremonious greetings;
the frenzied efforts of the castle folk to make all ready; the
inevitable despair, not once, but many times, of Adela, who directs
everything. At last it is the morning of _the_ day, in midsummer.
No rain and, blessed be St. Martin, not too much heat. Alienor is
surrounded by a dozen women, old and young, arraying her for her
wedding.
Public-domain text, read in full here on John Shaqi.
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