American prose literature; English prose literature; Narration (Rhetoric)
Looking down the long vista of sixty years with eyes that have
already lost their keen vision, the most vivid impression that
remains of my early childhood is the nightly ordeal of the journey
down “The Passage of Many Terrors” in our Irish home. It had been
decreed that, as I had reached the mature age of six, I was quite
old enough to come down-stairs in the evening by myself without the
escort of a maid, but no one seemed to realize what this entailed on
the small boy immediately concerned. The house had evidently been
built by some malevolent architect with the sole object of terrifying
little boys. Never, surely, had such a prodigious length of twisting,
winding passages and such a superfluity of staircases been crammed
into one building, and as in the early “sixties” electric light had
not been thought of, and there was no gas in the house, these endless
passages were only sparingly lit with dim colza-oil lamps. From his
nursery the little boy had to make his way alone through a passage
and up some steps. These were brightly lit, and concealed no terrors.
The staircase that had to be negotiated was also reassuringly bright,
but at its base came the “Terrible Passage.” It was interminably
long, and only lit by an oil lamp at its far end. Almost at once a
long corridor running at right angles to the main one, and plunged
in total darkness, had to be crossed. This was an awful place, for
under a marble slab in its dim recesses a stuffed crocodile reposed.
Of course in the daytime the crocodile _pretended_ to be very dead,
but every one knew that as soon as it grew dark, the crocodile came
to life again, and padded noiselessly about the passage on its scaly
paws seeking for its prey, with its great cruel jaws snapping, its
fierce teeth gleaming, and its horny tail lashing savagely from side
to side. It was also a matter of common knowledge that the favourite
article of diet of crocodiles was a little boy with bare legs in a
white suit.
Public-domain text, read in full here on John Shaqi.
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