American prose literature; English prose literature; Narration (Rhetoric)
Even should one be fortunate enough to escape the crocodile’s jaws,
there were countless other terrors awaiting the traveller down this
awe-inspiring passage. A little farther on there was a dark lobby,
with cupboards surrounding it. Anyone examining these cupboards by
daylight would have found that they contained innocuous cricket-bats
and stumps, croquet-mallets and balls, and sets of bowls. But as soon
as the shades of night fell, these harmless sporting accessories were
changed by some mysterious and malign agency into grizzly bears,
and grizzly bears are notoriously the fiercest of their species. It
was advisable to walk very quickly, but quietly, past the lair of
the grizzlies, for they would have gobbled up a little boy in one
second. Immediately after the bears’ den came the culminating terror
of all--the haunt of the wicked little hunchbacks. These malignant
little beings inhabited an arched and recessed cross-passage. It
was their horrible habit to creep noiselessly behind their victims,
tip ... tip ... tip-toeing silently but swiftly behind their prey,
and then ... with a sudden spring they threw themselves on to
little boys’ backs, and getting their arms around their necks, they
remorselessly throttled the life out of them. In the early “sixties”
there was a perfect epidemic of so-called “garrotting” in London.
Harmless citizens proceeding peaceably homeward through unfrequented
streets or down suburban roads at night were suddenly seized from
behind by nefarious hands, and found arms pressed under their chins
against their windpipe, with a second hand drawing their heads back
until they collapsed insensible, and could be despoiled leisurely
of any valuables that they might happen to have about them. Those
familiar with John Leech’s _Punch Album_ will recollect how many of
his drawings turned on this outbreak of garrotting. The little boy
had heard his elders talking about this garrotting, and had somehow
mixed it up with a story about hunchbacks and the fascinating local
tales about “the wee people,” but the terror was a very real one
for all that. The hunchbacks baffled, there only remained a dark
archway to pass, but this archway led to the “Robbers’ Passage.” A
peculiarly bloodthirsty gang of malefactors had their fastnesses
along this passage, but the dread of being in the immediate
neighbourhood of such a band of desperadoes was considerably modified
by the increasing light, as the solitary oil lamp of the passage was
approached. Under the comforting beams of this lamp the little boy
would pause until his heart began to thump less wildly after his
deadly perils, and he would turn the handle of the door and walk
into the great hall as demurely as though he had merely traversed an
ordinary everyday passage in broad daylight. It was very reassuring
to see the big hall blazing with light, with the logs roaring
on the open hearth, and grown-ups writing, reading, and talking
Public-domain text, read in full here on John Shaqi.
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