American prose literature; English prose literature; Narration (Rhetoric)
unconcernedly, as though unconscious of the awful dangers lurking
within a few yards of them. In that friendly atmosphere, what with
toys and picture-books, the fearful experiences of the “Passage of
Many Terrors” soon faded away, and the return journey upstairs would
be free from alarms, for Catherine, the nursery-maid, would come to
fetch the little boy when his bedtime arrived.
Catherine was fat, freckled, and French. She was also of a very
stolid disposition. She stumped unconcernedly along the “Passage
of Terrors,” and any reference to its hidden dangers of robbers,
hunch-backs, bears, and crocodiles only provoked the remark, “Quel
tas de bêtises!” In order to reassure the little boy, Catherine took
him to view the stuffed crocodile reposing inertly under its marble
slab. Of course, before a grown-up the crocodile would pretend to be
dead and stuffed, but ... the little boy knew better. It occurred
gleefully to him, too, that the plump French damsel might prove more
satisfactory as a repast to a hungry saurian than a skinny little
boy with thin legs. In the cheerful nursery, with its fragrant peat
fire (we called it “turf”), the terrors of the evening were quickly
forgotten, only to be renewed with tenfold activity next evening, as
the moment for making the dreaded journey again approached.
The little boy had had the _Pilgrim’s Progress_ read to him on
Sundays. He envied “Christian,” who not only usually enjoyed the
benefit of some reassuring companion, such as “Mr. Interpreter,”
or “Mr. Greatheart,” to help him on his road, but had also been
expressly told, “Keep in the midst of the path, and no harm shall
come to thee.”
Public-domain text, read in full here on John Shaqi.
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